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items tagged with Calvin Vo

Separated at Berth: "Twelfth Night," at Lincoln Park through July 20
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-07-14 18:39:43

Cayte McClanathan, Mollie Schmelzner, and Michael Carron in Twelfth NightLike a few dozen other optimistic souls, I attended Saturday’s Genesius Guild production of Twelfth Night hoping that the threatened thunderstorms would bypass the Quad Cities, or at least Rock Island’s Lincoln Park, for three hours or so. Alas, Shakespeare’s game was called on account of rain (and some major lightning) at roughly 8:30 p.m., so those of us who were willing and able were invited to return to see the rest of the show, and its opening half-hour again, on Sunday.


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One-Hundred-Word Moments in Time: Thom White, and a Few Others, on the Year in Theatre
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2013-12-23 12:00:00

Cara Chumbley, Lora Adams, Brad Hauskins, and Rachelle Walljasper in Things My Mother Taught MeAnother year of area stage productions has come and gone, and wanting to try something different this December, Reader theatre reviewer Thom White and I thought we’d bypass our traditional, end-of-year postmortem in favor of an alternate approach: requesting 100-words-or-fewer submissions from our readers on what people found particularly memorable about the 2013 stage scene. “It’ll be something new!” we thought. “It’ll be exciting! It’ll be filled with fresh voices that aren’t ours!” And, I must admit, we were dazzled with the overall response.

Well, “dazzled” may be overstating it.

Hmmm ... what’s the word I’m looking for ... ?

“Mortified,” maybe ... ?


Read More About One-Hundred-Word Moments In Time: Thom White, And A Few Others, On The Year In Theatre...


No Taxation Without (Satiric) Representation: “The Acharnians,” at Lincoln Park through August 4
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-07-29 12:00:00

Calvin Vo and Bryan Woods in The AcharniansThis year’s end-of-season Greek comedy by Genesius Guild, The Acharnians, is high on political humor, musical numbers, and sharply funny barbs at the expense of local organizations – especially Genesis Health System and Trinity Regional Health System (now UnityPoint Health) – and the cities of Moline, Davenport, and Rock Island. And I was smiling from ear to ear during almost the entirety of Saturday’s performance, tickled by the clever jokes, amusing songs, and even the groan-worthy puns.


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Saturday Bloody Saturday: "Coriolanus," at Lincoln Park through July 21
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-07-15 12:00:00

Bob Hanske and Tyler Henning in CoriolanusIt's always a pleasure to be able to laud the chorus members of a production, and that's certainly appropriate for Genesius Guild’s presentation of Shakespeare’s Coriolanus; the crowd scenes involving the Roman citizens – a group made up of 15 actors – are some of the most dynamic moments in co-directors Bryan Woods’ and Don Wooten’s production. Usually seen angrily protesting something, there’s a palpable energy in these performers' collective presence as the group storms the stage and creates a general hubbub in the background, adding more realism than would be on display had they merely stood in place and interjected occasional comments. Stirring things up beginning with the opening scene, and appearing multiple times throughout the course of the play, this charismatic group sets the stage for what proves to be an entertaining evening.


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Apollo's Creed: "Alcestis," at Lincoln Park through July 7
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-07-01 12:00:00

Jason Dlouhy, Bob Hanske, Doug Adkins, and Katie Ross in AlcestisEuripides' Alcestis marks the first Genesius Guild production of a Greek tragedy I’ve seen without doing advance research on the play’s plot, which I usually do out of fear of being lost. I’m happy to say, though, that I did not get lost in the slightest during Saturday’s performance, thanks to the production's clear plot points and dialogue, ample projection from the actors speaking from behind sound-inhibiting masks, and the comfortable flow of Dori Foster’s direction. The play is interesting in its exploration of fate, and also entertaining by way of costumer Ellen Dixon’s simple yet elegant designs (particularly for the women in the chorus), Earl Strupp’s aesthetically pleasing masks (with their glittery colors and wisps of escaped locks of hair), and the cast’s earnest characterizations.


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