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items tagged with Cameron Crowe

A Good Movie? Aye. A Great Movie? Neigh.: "War Horse," "We Bought a Zoo," "My Week with Marilyn," and "The Darkest Hour"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-12-27 20:22:12

Jeremy Irvine in War HorseWAR HORSE

A grandly scaled adventure about a boy who gets a horse, then loses the horse, then joins the British infantry to find the horse, War Horse is the sort of triumphant, lump-in-the-throat epic that director Steven Spielberg should be able to pull off in his sleep. Consequently, the highest compliment I can pay the movie is that its helmer, at all times, appears to be fully awake here. There’s palpable filmmaking energy in nearly every shot, and several passages in this World War I family drama are so thrilling and painful and spectacularly well-choreographed that they rank among the finest in Spielberg’s career.


Read More About A Good Movie? Aye. A Great Movie? Neigh.: "War Horse," "We Bought A Zoo," "My Week With Marilyn," And "The Darkest Hour"...


Bombs Away: "Funny People," "The Hurt Locker," and "G-Force"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-08-03 12:57:48

Adam Sandler and Leslie Mann in Funny PeopleFUNNY PEOPLE

Leslie Mann, the wife of comedy kingpin Judd Apatow, is unfailingly awesome, and I love her in her husband's first two outings as a film writer/director: 2005's The 40-Year-Old Virgin and 2007's Knocked Up. So it pains me to say that I would've enjoyed Apatow's third auteurist venture - the current Funny People - a whole lot more if Mann's character had been excised from it completely. Of course, that would've made the movie almost a full hour shorter than it is. That would've been all right, too.


Read More About Bombs Away: "Funny People," "The Hurt Locker," And "G-Force"...


Cruise in for a Bruisin’: "Mission: Impossible III"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-10 09:00:17

Tom Cruise and Keri Russell in Mission: Impossible IIIMISSION: IMPOSSIBLE III

Call it envy, call it sour grapes, call it schadenfreude, but I’ll admit to hugely enjoying the public meltdown of Tom Cruise, mostly because it’s finally making him interesting. Cruise has always been too bland to be true. He’s moderately proficient, and in several of his films – most recently Collateral and Minority Report – he’s even been impressive. But he has too few resources to draw upon as a performer. It would be hard to accuse Cruise of slouching on the job – he’s determined and earnest, and you can sense him trying to suggest interior life. But his line readings have no surprise and his on-screen performances rarely build; whenever a new scene begins, Cruise appears to have forgotten everything his character experienced in his previous scenes. He can’t seem to play more than one emotion, or one thought, at a time.


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Almost Heinous: "Elizabethtown" and "Two for the Money"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-10-19 00:00:00

Kirsten Dunst and Orlando Bloom in ElizabethtownELIZABETHTOWN

After a reportedly disastrous screening at the Toronto Film Festival in September, Cameron Crowe trimmed some 18 minutes from his latest project, Elizabethtown, before its national release on October 14. Of course, I never saw Crowe’s Toronto cut, so I can’t venture a guess as to what scenes wound up getting the boot. But having seen the finished project, I’m thinking that the loss of those 18 minutes was in no way satisfactory – to be honest, I’m not sure which scenes Crowe should have left in. For Elizabethtown is, in almost every respect, shockingly weak, so tonally incorrect and irrationally pleased with itself that it left me a little dazed. How could Crowe, who has made such wonderfully humane, marvelously detailed comedies, have gone so far afield?


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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