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items tagged with Cameron Crowe

A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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Crowe and Cruise Re-Team for Ridiculous "Vanilla Sky": Also, "Not Another Teen Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-12-19 00:00:00

Penelope Cruz and Tom Cruise in Vanilla SkyVANILLA SKY

Vanilla Sky could be subtitled Jerry Maguire Climbs Jacob’s Ladder to Reveal What Dreams May Come, and if that’s not enough reason to run for the theatre’s exits, the movie’s actual presentation should be.


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"Heartbreakers" Coughs Up a Soggy Center: Also, "Enemy at the Gates" and 2000 Oscars Postmortem
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-03-28 00:00:00

Anne Bancroft and Sigourney Weaver in HeartbreakersHEARTBREAKERS

Though the competition is fierce – The Insider, All That Jazz, maybe even Beetlejuice – I’m not sure I’ve ever seen a movie that made smoking look more repellant than David Mirkin’s comedy Heartbreakers.


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An Empty Sleeve: "Almost Famous"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-09-29 00:00:00

Almost FamousALMOST FAMOUS

Almost Famous, writer-director Cameron Crowe’s semi-autobiographical hymn to the joys and heartbreaks of rock ’n’ roll, is filled with extraordinarily lovely details and an uncanny fondness for the film’s 1970s setting. It’s engaging, gorgeously lit, and filled with goodwill. The things it’s not are believable, challenging, or memorable. It has obviously been made with great love – Crowe spent years trying to turn his youthful experiences into a movie – and Crowe’s attention to the minutiae of the rock scene is heady and alluring. But Almost Famous ends up as far less than the sum of its parts, a movie so intoxicated by its period that elements like character and conflict barely exist; despite its look and the rave reviews being showered on it, the film itself feels empty.


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