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items tagged with Capote

Tilt 'n' Whirl: "Adventureland" and "Sunshine Cleaning"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-04-05 22:41:31

Jesse Eisenberg and Kristin Stewart in AdventurelandADVENTURELAND

My first awareness of writer/director Greg Mottola's Adventureland came at Christmastime, when some family members and I saw a trailer for the comedy before, of all things, a screening of Doubt. The movie's my-summer-at-an-amusement-park setup looked kind of promising, but given the preview's one-liners and visual gags, the supporting cast (Bill Hader, Ryan Reynolds, Kristen Wiig), and Mottola's credit as the director of Superbad, it seemed like an incredibly inappropriate teaser to run before John Patrick Shanley's nonsecular drama. When the trailer ended, my brother and I shared an incredulous look and a chuckle at the apparent incongruity. "Know your audience," he said with a laugh.


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Nominees and Wannabes: Eight 2006 DVDs That Received – or Just Missed – Oscar’s Attention
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-02-21 08:38:06

Ryan Gosling in Half NelsonI consider myself an Academy Awards completist: Prior to the annual Oscar telecast, I want to see as many of the nominated films as I can. But I'm also a lazy completist - I want to see these movies so long as I don't have to drive really far. (This is why, to my disappointment and discredit, I'll be watching Sunday's telecast without having viewed Little Children, Venus, and The Good German.)

Thank goodness, then, for DVD.


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DVDs to Watch, and Watch Again: "The Squid & the Whale" and "The Dying Gaul"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-03-29 00:00:00

THE SQUID & THE WHALE and THE DYING GAUL

Before accepting his career-achievement prize at the Academy Awards this year, director Robert Altman – his voice-over accompanying clips from his works – explained his raison d’etre: “Stories don’t interest me,” he said. “Basically, I’m more interested in behavior.” Considering his contributions to film, the admission made perfect sense – how do you adequately describe the story of M*A*S*H or Nashville or Short Cuts? But it also touched on something elemental about the movie-going experience, in terms of the emotional connections we often make with the characters on-screen. When these literally two-dimensional figures reveal themselves to be as complicated and unpredictable, as human, as we are – when we recognize their behavior with a laugh or a nod or a wince – “story” doesn’t really matter a damn; the experience of watching characters just being can be its own spellbinding reward.


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Oscar-Mire Winners
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2006-02-22 00:00:00
In discussing this year’s Oscar races in the picture, director, and the acting categories, we may as well begin with the nominee area audiences had the least chance of catching, as it was the only major contender yet to get an area release: Duncan Tucker’s Transamerica.
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Hoffman Dazzles in a Remarkable "Capote": Also, "Hoodwinked" and "The New World"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-01-25 00:00:00

Philip Seymour Hoffman in CapoteCAPOTE

When I first saw Bennett Miller’s Capote back in November, I was so knocked out by Philip Seymour Hoffman’s portrayal that I fear I may have undervalued the movie itself; Hoffman’s channeling of this singular author was so extraordinary that, although the film itself wouldn’t fit anyone’s definition of “feel-good,” I’m not sure I stopped smiling once through its two-hour running length. (Performances of this quality have a way of putting me in a fantastic mood, regardless of a movie’s subject matter.) But on a return visit to Capote this past weekend, I was able to more fully luxuriate in the brilliance of its design and the strength of its presentation; what could have been a “mere” performance piece proves, in the hands of Miller and screenwriter Dan Futterman, to be a work of rare artistry and depth. Capote is so beautifully crafted – thematically rich, psychologically insightful, and mordantly funny – that you might be embarrassed by what a fine time you’re having at it.


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