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items tagged with Carey Mulligan

Hawaiian Punch: "Aloha," "San Andreas," and "Far from the Madding Crowd"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-05-31 20:59:32

Bradley Cooper and Emma Stone in AlohaALOHA

On three separate occasions this past weekend, after mentioning that I’d seen Cameron Crowe’s Aloha, I had friends or family members reply with some variant on “Ugh, how bad was it?” That’s usually the response I get after telling people I just came back from the latest Happy Madison flick or Paranormal Activity: Yup, We’re Still Churning These Out. But to hear that kind of pitying condolence regarding a new Crowe endeavor was troubling. Sure, the reviews were largely dreadful, and the previews leaned toward the achingly twee, and the movie’s reputation in the hacked Sony e-mails (“the script is ridiculous”) didn’t help matters. Beyond all that, though, is the collective disappointment of Vanilla Sky, Elizabethtown, and We Bought a Zoo so pervasive and infuriating that it overwhelms the memory of Say Anything ... , Jerry Maguire, and Almost Famous?


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The King, and More Royal Subjects: "The Identical," "Locke," "Only Lovers Left Alive," "The Normal Heart," and "The Spoils of Babylon"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-09-08 14:51:10

Blake Rayne, Ashley Judd, and Ray Liotta in The IdenticalDirector Dustin Marcellino’s The Identical is for anyone who ever wanted to see a fictionalized account of the birth of the Elvis-impersonator movement. Or anyone who’d enjoy Presley’s songs more if their melodies weren’t so complex and their lyrics weren’t so depraved. Or anyone who’s been yearning to see Ray Liotta play a devout evangelist who explains to his congregation why he just lit eight candles on a menorah, when, as we can see, he clearly lit nine.


Read More About The King, And More Royal Subjects: "The Identical," "Locke," "Only Lovers Left Alive," "The Normal Heart," And "The Spoils Of Babylon"...


Folk Yeah!: "Inside Llewyn Davis" and "Lone Survivor"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-13 03:18:31

Oscar Isaac, Justin Timberlake, and Adam Driver in Inside Llewyn DavisINSIDE LLEWYN DAVIS

There are some Coen-brothers movies – Fargo and O Brother, Where Art Thou? and True Grit come immediately to mind – that, because they exude such palpable filmmaking energy and are so spectacularly quotable, I wanted to talk about immediately after first seeing them. Then there are the rarer Coen-brothers movies, among them The Hudsucker Proxy and Intolerable Cruelty and Burn After Reading, that I didn’t feel much like talking about afterward, mostly because I didn’t enjoy them much on a first go-round. (Though I’ve consequently become a big fan of Joel’s and Ethan’s Hudsucker and Burn, in the case of Intolerable Cruelty, second and third go-rounds did nothing to improve matters.)

And then there are Coen-brothers movies such as the new Inside Llewyn Davis, a work that is, I think, so good that I don’t want to discuss it for fear of not coming close to doing it justice.


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Out with the Old Sport, in with the New: "The Great Gatsby," "Mud," and "Peeples"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-05-12 22:34:37

Carey Mulligan and Leonardo DiCaprio in The Great GatsbyTHE GREAT GATSBY

Although, in the end, the film wound up an engaging and surprisingly touching entertainment, and it’s visually spellbinding throughout, the first half hour of Baz Luhrmann’s The Great Gatsby felt, to me, exactly like the first half hours of all Baz Luhrmann movies: annoying as hell.


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Wizard of Blahs: "Oz the Great & Powerful" and "Dead Man Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-03-10 03:08:36

James Franco in Oz the Great & PowerfulOZ THE GREAT & POWERFUL

As numerous effect-heavy entertainments have proved over the years, few film actors, and even fewer good ones, look altogether comfortable performing in wholly pixelated landscapes opposite wholly digitized characters. Yet I’m not sure I’ve seen any star look less connected with his artificial environment than James Franco does in Oz the Great & Powerful, director Sam Raimi’s mega-budgeted and intensely disappointing prequel to The Wizard of Oz.


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