items tagged with Carter Burwell
Written By: Mike Schulz
Section: Movies
Category: Reviews
2010-12-23 17:43:50
TRUE GRIT
Over the course of their careers, the films of Joel and Ethan Coen have, of course, inspired a wide variety of responses: amusement (and quite a lot of it), excitement, fascination, terror, confusion, astonishment, mortification. (Oh, the depressing spectacle of Intolerable Cruelty ... .) But while we audiences have laughed and gasped and occasionally scratched our heads, we haven’t, prior to the Coen brothers’ True Grit, been moved to tears by scenes of unbridled yet honestly earned sentiment. Guess we can now scratch that one off the list, too.
Read More About Hello. My Name Is Mattie Ross. You Killed My Father. Prepare To Die.: “True Grit” And “Yogi Bear”...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2009-10-18 20:44:12
WHERE THE WILD THINGS ARE
Where to begin in describing all the things that could've gone wrong with director Spike Jonze's live-action take on Where the Wild Things Are? And where to begin in describing all the things that have gone magically, even miraculously, right with it?
Read More About “Wild Things,” I Think I Love You: “Where The Wild Things Are”...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2004-04-14 00:00:00
THE ALAMO
The Alamo is surprisingly not-bad. John Lee Hancock’s long-delayed drama is by no means a great movie, but it’s a pretty darned good audience movie, a middlebrow weeper like A Beautiful Mind or Titanic that, despite its flaws (and against your better judgment), you can find yourself really falling for.
Read More About Surprisingly, "The Alamo" Isn’T Instantly Forgettable: Also, "Hellboy," "Walking Tall," "The Fog Of War," And "In America"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2002-08-28 00:00:00
SIMONE
Andrew Niccol appears to be obsessed with a theme that, in all likelihood, he can spend his entire filmmaking career exploring: What is the nature of reality? In 1997’s vastly underrated Gattaca, which Niccol wrote and directed, he investigated the perils of genetic engineering, as his biologically “natural” protagonist Vincent assumed the identity of the genetically “perfect” Jerome to further his space-exploration career; the film, which on paper might seem a cerebral sci-fi comedy of mistaken identity, dramatized what it meant to be “real” in an unreal world, and was a heady, thrilling experience.
Read More About Ideas Salvage "Simone": Also, "Serving Sara"...
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