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items tagged with Carter Burwell

Hello. My Name Is Mattie Ross. You Killed My Father. Prepare to Die.: “True Grit” and “Yogi Bear”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-12-23 17:43:50

Jeff Bridges and Hailee Steinfeld in True GritTRUE GRIT

Over the course of their careers, the films of Joel and Ethan Coen have, of course, inspired a wide variety of responses: amusement (and quite a lot of it), excitement, fascination, terror, confusion, astonishment, mortification. (Oh, the depressing spectacle of Intolerable Cruelty ... .) But while we audiences have laughed and gasped and occasionally scratched our heads, we haven’t, prior to the Coen brothers’ True Grit, been moved to tears by scenes of unbridled yet honestly earned sentiment. Guess we can now scratch that one off the list, too.


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“Wild Things,” I Think I Love You: “Where the Wild Things Are”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-10-18 20:44:12

Carol (voiced by James Gandolfini) and Max Records in Where the Wild Things AreWHERE THE WILD THINGS ARE

Where to begin in describing all the things that could've gone wrong with director Spike Jonze's live-action take on Where the Wild Things Are? And where to begin in describing all the things that have gone magically, even miraculously, right with it?


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Surprisingly, "The Alamo" Isn’t Instantly Forgettable: Also, "Hellboy," "Walking Tall," "The Fog of War," and "In America"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-04-14 00:00:00

The AlamoTHE ALAMO

The Alamo is surprisingly not-bad. John Lee Hancock’s long-delayed drama is by no means a great movie, but it’s a pretty darned good audience movie, a middlebrow weeper like A Beautiful Mind or Titanic that, despite its flaws (and against your better judgment), you can find yourself really falling for.


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Ideas Salvage "Simone": Also, "Serving Sara"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-08-28 00:00:00

Al Pacino and Rachel Roberts in SimoneSIMONE

Andrew Niccol appears to be obsessed with a theme that, in all likelihood, he can spend his entire filmmaking career exploring: What is the nature of reality? In 1997’s vastly underrated Gattaca, which Niccol wrote and directed, he investigated the perils of genetic engineering, as his biologically “natural” protagonist Vincent assumed the identity of the genetically “perfect” Jerome to further his space-exploration career; the film, which on paper might seem a cerebral sci-fi comedy of mistaken identity, dramatized what it meant to be “real” in an unreal world, and was a heady, thrilling experience.


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