items tagged with Chloe Sevigny

WILD HOGS

I try. Honest to God, when sitting in a crowded auditorium, watching a charmless, lazy, ridiculously unfunny movie such as Wild Hogs, I try to get on the audience's wavelength and figure out what it is that's making them howl with laughter.

CRASH

Crash, the magnificent drama by Million Dollar Baby screenwriter Paul Haggis, fits alongside such sprawling, ensemble-driven works as Grand Canyon, Short Cuts, and Magnolia, movies in which plotlines dovetail within one another and themes enmesh, and where bitter, dissatisfied characters might not wind up more content than before – some might not even wind up alive – but they will definitely have shared, for better or worse, An Experience. (These characters might not receive traditional happy endings, yet they almost invariably find degrees of solace and a measure of hope.) Moviegoers who crave a clearly delineated moral to their stories can be driven batty by films of this ilk; more than once I’ve heard someone ask, apropos of one of these works, “But what was its point?” Crash, like its predecessors, explores characters so hungry for contact and meaning and understanding in a chaotic universe that they’re ready to explode, and oftentimes do. That hunger becomes the point.

JERSEY GIRL

Theoretically, there’s nothing wrong with Kevin Smith momentarily eschewing his predilection for what he terms “dick and fart jokes” in favor of more honest, heartwarming fare, but good God, don’t we Smith fans deserve better than Jersey Girl? In previous films, Smith presented us with a woman who screws a dead man, the Almighty in the personage of Alanis Morissette, and a lesbian who switches teams for Ben Affleck, yet I found his latest work the least believable in his oeuvre, a movie so brazenly phony and audience-pandering that I wanted to hide my face.

AMERICAN PSYCHO

Do you know what movie I was reminded of during American Psycho? The Bridges of Madison County.