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items tagged with Chris Ludacris Bridges

Neither Naughty Nor Nice: "Fred Claus" and "Lions for Lambs"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-11-14 08:19:21

Paul Giamatti and Vince Vaughn in Fred ClausFRED CLAUS

As crass, demeaning, insufferable holiday-themed comedies go, Fred Claus is a little bit better than The Santa Clause 3, Deck the Halls, Surviving Christmas, and Christmas with the Kranks. (This faint praise might also extend to examples released before 2004, but I've succeeded in blocking those titles from memory.) It's also a little bit worse than 80 percent of the movies I've seen this year.


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Bay’s Latest a Personal Best – and an OK Movie: "The Island," "Hustle & Flow," "Wedding Crashers," and "March of the Penguins"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-07-27 00:00:00

Scarlett Johansson and Ewan McGregor in The IslandTHE ISLAND

If we absolutely must endure movies by Michael Bay, we could do a lot worse – we have done a lot worse – than The Island. As usual, there isn’t a plot point or turn of character here that Bay doesn’t make wincingly obvious, and, apparently, there’s no getting rid of either his tiresome sentimental streak or his sniggering, insulting stabs at “humor.” (When Bay attempts to be serious I giggle, and when he tries to make jokes, I go numb.) But I’d be lying if I didn’t admit to being reasonably entertained by The Island. Bay has hold of an intriguing story idea, and even if the movie eventually turns into routine action-thriller nonsense, at least that nonsense is delivered with speed, a few memorable images, and even something resembling humanity. Like all Michael Bay movies, The Island runs a good bit over two hours. Unlike the others, I barely noticed.


Read More About Bay’S Latest A Personal Best – And An OK Movie: "The Island," "Hustle & Flow," "Wedding Crashers," And "March Of The Penguins"...


Explosive "Crash" an Early Contender for Best of 2005: Also, "Melinda & Melinda" and "XXX: State of the Union"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-05-11 00:00:00

Jennifer Esposito, Don Cheadle, and Kathleen York in CrashCRASH

Crash, the magnificent drama by Million Dollar Baby screenwriter Paul Haggis, fits alongside such sprawling, ensemble-driven works as Grand Canyon, Short Cuts, and Magnolia, movies in which plotlines dovetail within one another and themes enmesh, and where bitter, dissatisfied characters might not wind up more content than before – some might not even wind up alive – but they will definitely have shared, for better or worse, An Experience. (These characters might not receive traditional happy endings, yet they almost invariably find degrees of solace and a measure of hope.) Moviegoers who crave a clearly delineated moral to their stories can be driven batty by films of this ilk; more than once I’ve heard someone ask, apropos of one of these works, “But what was its point?” Crash, like its predecessors, explores characters so hungry for contact and meaning and understanding in a chaotic universe that they’re ready to explode, and oftentimes do. That hunger becomes the point.


Read More About Explosive "Crash" An Early Contender For Best Of 2005: Also, "Melinda & Melinda" And "XXX: State Of The Union"...





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