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items tagged with Chris Pine

I'd Like to Thump the Academy … : Notes on the 2015 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2015-02-23 22:00:33

producer/writer/director Alejandro G. Iñárritu and team members of Best Picture Birdman or (The Unexpected Virtue of Ignorance)Neil Patrick Harris, at the tail end of last night's Academy Awards ceremony, climaxed his hosting duties with the resolution to a magic trick he'd set up earlier in the evening. Much, much earlier in the evening.


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Into the Weeds: "Into the Woods" and "The Homesman"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-12-29 01:06:33

Emily Blunt and James Corden in Into the WoodsINTO THE WOODS

Do you know what you wish? Are you certain what you wish is what you want?” – lyrics from Into the Woods

 

Like a lot of stage-musical fans, I’ve been wishing – patiently but eagerly for more than 25 years now – for a film version of Stephen Sondheim’s modern classic Into the Woods. Now, thanks to Sondheim, original book and screenplay author James Lapine, director Rob Marshall, and the fairytale-happy folks at Disney, we have one.

So here’s the good news: Barring some minor changes, the movie is incredibly faithful to the show’s stage roots. But here’s the bad news: It’s so faithful that it’s under-imagined and kind of suffocating. And here’s the worst news: It isn’t much fun.


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Fight or Flightless: "Penguins of Madagascar," "Horrible Bosses 2," and "Rosewater"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-11-30 22:54:06

Penguins of MadagascarPENGUINS OF MADAGASCAR

Penguins of Madagascar opens with a sweeping overhead shot of an (animated) Antarctic expanse, which eventually lands on an orderly march of flightless waterfowl. This introduction is narrated by a documentarian voiced by Werner Herzog, who informs us, in the director’s unmistakable German-accented English, that we’re to witness penguins in all their natural glory – right before he orders a crew member to shove a few off a cliff, just to see what will happen. Between Herzog, the environmental-doc satire, and the sheer goofiness of it all, this prelude is such a fantastically funny way to start directors Eric Darnell’s and Simon J. Smith’s spin-off that it immediately leaves you anticipating a movie that’ll be smart and hilarious throughout. Would you settle, though, for smart and moderately amusing?


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Now Is the Midwinter of Our Mild Discontent – Notes on a Quadruple Feature: "Devil's Due," "Jack Ryan: Shadow Recruit," "Ride Along," and "The Nut Job"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-19 00:08:27

Allison Miller in Devil's DueJanuary 17, 10:05 a.m.-ish: If it’s January, it must be time for our annual demonic-possession thriller in the guise of a “documentary,” and yet it still seems strange to be watching Devil’s Due. The devil may be, but a mere two weeks after the release of the latest Paranormal Activity, were we audiences really due for another of these things?


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Lively, Long, and Prosperous: "Star Trek Into Darkness"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-05-18 18:09:57

Zachary Quinto and Chris Pine in Star Trek Into DarknessSTAR TREK INTO DARKNESS

Star Trek Into Darkness opens on a note of frenzied, almost satiric busyness. For reasons initially left unexplained, and in a set piece suggesting a futuristic Raiders of the Lost Ark, Captain Kirk and “Bones” McCoy are first seen racing through a jungle of crimson foliage on a foreign planet, attempting to escape the clutches of dozens of yowling savages with black eyeballs and papier-mâché skin. The chase eventually leads the pair to the edge of a cliff where they leap into the water below, just as Mr. Spock – much to the concern of his unusually panicked fellow crew members – beams into the belly of an active, ready-to-burst volcano. Director J.J. Abrams’ franchise extender isn’t even five minutes old, and between the shouting, the manically staged mayhem, the whiplash editing, and composer Michael Giacchino’s pummeling score, it already feels like a typically overstuffed blockbuster sequel, yet one without any of the wit that Abrams brought to 2009’s terrifically witty Star Trek reboot. But then something wonderful happens.
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