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items tagged with Circa 21 Dinner Playhouse

Aerosoul: "Hairspray," at the Circa '21 Dinner Playhouse through August 13
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-06-20 12:04:00

Tom Walljasper, Kristin Gilbert, and John Payonk in HairsprayThe Circa ’21 Dinner Playhouse’s Hairspray lacks polish from what seems to be, in the chorus roles, a fairly green cast. Yet even though that softens the strength of the production, it doesn’t seem to diminish any of the fun. I had an incredibly good time watching Saturday night’s performance, and while the entire show isn’t quite worth the standing ovation it received, the final song, “You Can’t Stop the Beat,” does deserve that special accolade intended for exceptional performances.


Read More About Aerosoul: "Hairspray," At The Circa '21 Dinner Playhouse Through August 13...


Yearly Beloveds: “Same Time, Next Year,” at the District Theatre through June 25
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-06-13 12:00:00

Adam Michael Lewis and Cari Downing in Same Time, Next YearMy enjoyment of the Harrison Hilltop Theatre company’s Same Time, Next Year was inhibited by the moral issues at the core of the play.


Read More About Yearly Beloveds: “Same Time, Next Year,” At The District Theatre Through June 25...


"Alexander" the Great: "Alexander & the Terrible, Horrible, No Good, Very Bad Day," at the Circa '21 Dinner Playhouse through May 7
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-04-26 12:00:00

Matthew Wiggin, Tom Taylor, Maeve Martin, Tommy McDowell, Marc Ciemiewicz, and Janos Horvath in Alexander & the Terrible, Horrible, No Good, Very Bad DayNot being a child myself, I can only imagine the delight that kids feel at seeing a much-loved book played out, on stage, before their eyes – which is what's currently happening in the Circa '21 Dinner Playhouse's production of Alexander & the Terrible, Horrible, No Good, Very Bad Day. While I’ve personally never read author Judith Viorst’s work, I do know it’s a popular story among younger readers, and those in the audience during Saturday morning’s performance certainly seemed to like what they were seeing. (They were also at least familiar enough with the source material to be able to shout out the show’s title without a hitch... though I'd bet many could recite much more than that part of the book by heart.)


Read More About "Alexander" The Great: "Alexander & The Terrible, Horrible, No Good, Very Bad Day," At The Circa '21 Dinner Playhouse Through May 7...


Talking Outside the 'box: Kim Furness Discusses the Curtainbox's 10-Year History
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2011-04-05 16:35:31

Kimberly Furness[Author's note: The following was written for TheCurtainbox.com, the Web site for our area's Curtainbox Theatre Company, of which I've been a proud member for nearly a year.]

 

Recently, Curtainbox Theatre Company founder Kim Furness and I sat down over a glass of wine – all right, maybe a couple of glasses – to celebrate her company's 10-year anniversary. She had recently taken over the directing position for the Curtainbox's latest production, Speed-the-Plow (in the wake of original helmer Philip W. McKinley’s recruitment as new director of Broadway’s Spider-Man: Turn Off the Dark), and during our conversation, was happy to share her thoughts on the company’s history. (The David Mamet comedy Speed-the-Plow – featuring Erin Churchill, Dan Hernandez, and myself – runs at the Village of East Davenport’s Village Theatre from April 10 through 23, with preview performances April 8 & 9.)


Read More About Talking Outside The 'box: Kim Furness Discusses The Curtainbox's 10-Year History...


Jumping the Shark: "Happy Days: A New Musical," at the Circa '21 Dinner Playhouse through June 4
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-03-28 12:00:00

Laura Miller, Courtney Crouse, and Andrea Moore (center), and Laurie Sutton, Liz J. Millea, and Maeve Martin in Happy Days: A New MusicalIf the goal of Happy Days: A New Musical – making its Midwestern debut at the Circa ’21 Dinner Playhouse – is to have the feel of the 1970s TV series, then playwright (and series creator) Garry Marshall and songwriter Paul Williams are working against each other. The book is reminiscent of the sitcom, with similar character dynamics and situations, but it comes across as a caricature of the TV show – purely wholesome, without the slight edge and hints of rebellion present in its televised incarnation. Williams’ songs, meanwhile, don’t suggest the series at all; it’s as if the tunes were taken from some other 1950s-themed musical, and plopped into an episode of Happy Days without consideration for whether they fit the characters.


Read More About Jumping The Shark: "Happy Days: A New Musical," At The Circa '21 Dinner Playhouse Through June 4...





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