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items tagged with Clint Eastwood

"The Break-Up" Is Hard to View: Also, "The Living Sea"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-06-07 05:39:30

Vince Vaughn and Jennifer Aniston in The Break-UpTHE BREAK-UP

There are a whole bunch of different movies circulating within the Vince Vaughn/Jennifer Aniston comedy The Break-Up, and every single one of them is more enjoyable than the one they're stuck in. Director Peyton Reed's film concerns the battle of wills that commences once Vaughn's Gary and Aniston's Brooke decide to split, but here are five of The Break-Up's subplots that, I'm guessing, would have made for far more entertaining feature-length viewing


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Monkey Shines: "King Kong"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-12-21 00:00:00

Naomi Watts and King KongKING KONG

The most telling detail in Peter Jackson’s grand, overlong, monstrously enjoyable King Kong remake is, considering the scope of this production, a relatively minor one. Having been captured by the natives of Skull Island, the ingénue Ann (Naomi Watts) is presented – tied and shrieking – as a sacrifice/gift to the enormous ape, who emerges from the jungle, frees Ann from her bindings, and grasps her in his giant paw. (Kong doesn’t grace the scene until roughly an hour into the movie, and the moments leading up to his arrival are a miracle of sound design and visual suggestion; Kong’s appearance is absolutely worth waiting for.) Like a petulant toddler who doesn’t want to share his toy, Kong quickly races back to his jungle retreat with his new plaything in hand, and the force and velocity of the ape’s movements make Ann resemble nothing so much as a human rag doll, her body limp and her limbs flailing.


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2005's Alternative Oscars: The Shoulda-Been Contenders
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-02-16 00:00:00
After the announcement of last year’s Oscar nominations, in which the Academy made almost shockingly inspired choices across the board, this year’s slate of nominees was bound to be a more predictable lot; barring a few minor surprises – the director and screenplay nods for Mike Leigh’s Vera Drake (still unseen by me) chief among them – voters opted for traditional, safe choices in 2004, especially among the squarer-than-usual Best Picture contenders.
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"Hide & Seek" Can’t Bear Its Cheap Twist: Also, "Boogeyman" and "Alone in the Dark"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-02-08 00:00:00

Dakota Fanning in Hide & SeekHIDE & SEEK

(Warning: Potential spoilers – for both Hide & Seek and Million Dollar Baby – ahead. Proceed with caution.) If you haven’t yet seen Clint Eastwood’s Million Dollar Baby, it might be too late to do so without prejudice, since numerous critics, pundits, and op-ed writers have probably already ruined the film for you.


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"Baby" Tops in 2004 – and Eastwood’s Career: "Million Dollar Baby," "Hotel Rwanda," and "In Good Company"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-02-02 00:00:00

Clint Eastwood and Hilary Swank in Million Dollar BabyMILLION DOLLAR BABY

Despite featuring a few peripheral figures, Clint Eastwood’s Million Dollar Baby is essentially a three-character mood piece, yet Eastwood, co-stars Hilary Swank and Morgan Freeman, and screenwriter Paul Haggis invest the material with so much emotional and intellectual accuracy that the results border on the overwhelming.


Read More About "Baby" Tops In 2004 – And Eastwood’S Career: "Million Dollar Baby," "Hotel Rwanda," And "In Good Company"...





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