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items tagged with Comedies

It Ain't Good for You, but It Ain't Bad: "Snatch," "Chocolat," and "Save the Last Dance"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-24 00:00:00

Jason Statham, Brad Pitt, and Alan Ford in SnatchSNATCH

First, the bad news: Guy Ritchie’s latest crime thriller, Snatch, is nearly a carbon copy of his sizzling 1998 debut film, Lock, Stock, and Two Smoking Barrels. The good news: Who cares? Those who like their thrills fast, bloody, twisty, and awfully funny will be in B-movie paradise here; we’re only three weeks into January, and we already have a movie that’s more enjoyable than 90 percent of what was released last year.


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Gripping "Traffic" Is One for the Ages: Also, "All the Pretty Horses" and "Miss Congeniality"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-10 00:00:00

Catherine Zeta-Jones in TrafficTRAFFIC

Sitting in the audience for Steven Soderbergh’s drug drama Traffic, I heard a sound that had been sorely missing from 12-plus months of moviegoing: rapt, appreciative silence. It was the sort of silence that you only get when a director is in full control of his work, when the actors are working at peak form, and when the storyline is so gripping that you can’t wait to see where it will lead you next. Based on a British mini-series, Traffic is something increasingly rare in modern films: a large-scale epic with a human pulse, in which every character and nuance is sharply defined, and in which your alliances and points of view change with each passing scene. The accolades and awards already bestowed on the film aren’t simply a matter of it being the best of a bum year; it’s one of the best movies released in many years.


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The Eyes Have It, and an Apology from Hollywood: "Cast Away" and "The Family Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-03 00:00:00

Tom Hanks in Cast AwayCAST AWAY

In Cast Away, Robert Zemeckis’ most fully satisfying work in ages, Tom Hanks stars as Chuck Noland, a FedEx engineer for whom the world can’t move fast enough; he’s obsessed with time-saving, whether it be with associates in Moscow or friends at home. Before boarding a plane for a business conference, he even goes so far as to give his girlfriend (Helen Hunt) a wrapped engagement ring, instructing her to open it when he returns. (He saves lead-in time on its actual presentation.) But somewhere over the Pacific, the plane crashes (in one of cinema’s most terrifying airplane disasters), and Chuck is washed up on a deserted island with little hope of escape or rescue; suddenly, he has all the time in the world, and the film, which had previously been lightning quick, slows down to a crawl.


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Giving Romantic Comedy a "Bounce": Also, "Dr. Seuss' How the Grinch Stone Christmas"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-22 00:00:00

Ben Affleck and Gwyneth Paltrow in BounceBOUNCE

Writer-director Don Roos might never be a great filmmaker – his staging is obvious in that Kevin Smith way (a lot of two-shots of characters talking) and there’s no real visual life on display. But he’s wonderful with actors, and he has a great ear for dialogue, writing realistic lines that can flip in a moment’s notice to something truly comic or poignant.


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Dim and Dimmer: "Book of Shadows: Blair Witch 2" and "Lucky Numbers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-03 00:00:00

Kim Director and Erica Leerhsen in Book of Shadows: Blair Witch 2BOOK OF SHADOWS: BLAIR WITCH 2

Let’s face it: There was plenty of built-in expectation with the arrival of Book of Shadows: Blair Witch 2, and the expectation was that the film would suck. Those who loved The Blair Witch Project, as I did, would miss that film’s cinéma vérité style and simplicity, and rail on about how Book of Shadows was exactly the kind of dumbed-down splatter flick that Blair Witch rebelled against. Those who hated the original, which seems the more common response (at least among my acquaintances), would have their beliefs confirmed that the whole Blair Witch “mythology” is lame, and that we’ve been hoodwinked by marketing and Internet paranoia into making these movies hits. Wouldn’t it be great to report that this sequel had defied its skeptics and emerged as smashing entertainment?


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