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items tagged with comic book movies

Brain, Brain, Go Away: "The Hundred-Foot Journey," "Into the Storm," "Step Up: All in," and "Teenage Mutant Ninja Turtles"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-08-11 00:51:58

Om Puri, Manish Dayal, and Helen Mirren in The Hundred-Foot JourneyFriday, August 8, 10 a.m.-ish: I’m at The Hundred-Foot Journey, and five minutes into this lighthearted foodie dramedy, I’m already regretting my decision to only have yogurt for breakfast. With director Lasse Hallström’s camera slavering over the creation of steaming, succulent pots and grills of Indian cuisine, all of it enhanced by spices and oils whose aromas are practically wafting off the screen, this is not the movie to see if you’re hungry. Considering screenwriter Steven Knight’s T-shirt-ready dialogue – which features such pithy bromides as “Life has its own flavor,” “We cook to make ghosts,” and the grammatically vexing “Food is memories” – it’s not really the movie to see if your brain is hungry, either.


Read More About Brain, Brain, Go Away: "The Hundred-Foot Journey," "Into The Storm," "Step Up: All In," And "Teenage Mutant Ninja Turtles"...


One for the Funny, Two for the Shows, Three to Get Red-Eyed, and Four – Just Go: "Guardians of the Galaxy," "Get on Up," "Wish I Was Here," and "A Most Wanted Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-08-03 16:43:39

Zoe Saldana, Bradley Cooper(ish), Chris Pratt, Vin Diesel(ish), and Dave Bautista in Guardians of the GalaxyFriday, August 1, 9:50 a.m.-ish: Movies based on Marvel comics are routinely, sometimes annoyingly formula-driven. But 10 minutes into Guardians of the Galaxy, I really hope every subsequent Marvel release steals from this one, because all the studio’s films – hell, all films period – should open with Chris Pratt doing a Singin’ in the Rain soft-shoe to Redbone’s “Come & Get Your Love.”


Read More About One For The Funny, Two For The Shows, Three To Get Red-Eyed, And Four – Just Go: "Guardians Of The Galaxy," "Get On Up," "Wish I Was Here," And "A Most Wanted Man"...


Quicksilver Takes the Gold: "X-Men: Days of Future Past"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-05-26 22:54:24

Hugh Jackman and James McAvoy in X-Men: Days of Future PastX-MEN: DAYS OF FUTURE PAST

Director Bryan Singer’s X-Men: Days of Future Past opened this past weekend, and generally speaking, I liked it. At random moments throughout, I even loved it. And in one glorious, exquisitely crafted sequence about 40 minutes into the picture, I even fell madly in love with it.


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Static Electricity: "The Amazing Spider-Man 2" and "As High as the Sky"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-05-04 18:33:56

Jamie Foxx and Andrew Garfield in The Amazing Spider-Man 2THE AMAZING SPIDER-MAN 2

The biggest problem I had with 2012’s The Amazing Spider-Man was that director Marc Webb’s superhero-origin tale – with its “let’s get this tiresome exposition over with” vibe and general lack of personality – felt merely like the setup for more interesting web-slinging adventures to come. The biggest problem I have with Webb’s The Amazing Spider-Man 2 is that it feels almost exactly the same, like a character- and conflict-building preamble that we have to endure to get to the eventual good stuff. Things certainly happen in Webb’s latest cinematic comic book, but they appear to happen solely because its surviving characters need to be positioned properly for their roles in The Amazing Spider-Man 3, the inevitable outing in which maybe, finally, the series will start living up to the imposed adjective in its title.


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The Inn Crowd: "The Grand Budapest Hotel," "Captain America: The Winter Solider," and "Veronica Mars"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-04-06 22:48:22

Paul Schlase, Tony Revolori, Tilda Swinton, and Ralph Fiennes in The Grand Budapest HotelTHE GRAND BUDAPEST HOTEL

Generally speaking, I’m not one to argue for the inclusion of more foul language and bloody violence in a director’s oeuvre, and feel especially awkward doing so a mere week after being bored silly by the endless profanities and exploding squibs in the latest Schwarzenegger flick. But I’ll happily make an exception in the case of Wes Anderson, at least based on his most recent outing, The Grand Budapest Hotel. Like all Anderson efforts, this one, too, could be filed in the “precious comic bauble” category, given its deliberately artificial production design and obsessively controlled compositions and overall suggestion of an improv-free zone. Yet this endlessly inventive and funny new work might boast more interior life than any of the writer/director’s other live-action achievements, and for that I’m afraid we have to thank the forcible removal of Jeff Goldblum’s fingers, and Ralph Fiennes’ tendency to drop the F-bomb into every other sentence.


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