items tagged with Daniel DP Sheridan

What starts as a theatre audition quickly becomes something entirely different in the QC Theatre Workshop’s second production, Private Eyes. And this change from what’s real to what’s … well … something else is something I don’t want to fully describe, because such a shift happened several times – and at very unexpected moments – during Friday's performance, making the evening a bit of an intriguing thrill that repeatedly piqued my curiosity.

I went into Red, playwright John Logan's drama about abstract expressionist Mark Rothko and his young assistant Ken, with uncertainty about how to appreciate visual art beyond just liking pretty things I see. I left Friday’s QC Theatre Workshop production with a better understanding of meaning and intent in art, while also feeling a disdain for abstract expressionism, particularly Mark Rothko’s “color fields.” And while I’m not certain that Logan’s intent is for viewers to dislike Rothko or his paintings, I do think he wants audiences to walk away with emotion and opinions about the artist's creations – making my distaste for Rothko evidence that Logan’s work is effective.

Those familiar with Davenport Junior Theatre might find its forthcoming production of Mia the Melodramatic a bit ... well ... familiar. After all, the show concerns a children’s theatre company that finds kids starring in and producing plays for other kids, and even comes complete with its own mascot in the form of an energetic, floppy-shoed clown.

Rest assured: Any similarities between the fictional children’s theatre of Mia the Melodramatic and Davenport Junior Theatre itself are completely intentional.

Every year, St. Ambrose University’s theatre department produces four mainstage shows over the nine months that school is in session. It’s somewhat surprising, then, that given the myriad authors to choose from, the university opted to reserve half of the slots in its 2011-12 season for works by a single playwright.

Yet what’s more surprising is that the author in question isn’t one of the usual theatrical suspects – Shakespeare or Williams or O’Neill. Rather, it’s St. Ambrose student Aaron Randolph III, a 32-year-old pursuing additional degrees after graduating in 2002 from the school’s music department. His family musical Dakota Jones & the Search for Atlantis will be staged in the university’s Galvin Fine Arts Center December 3 and 4, and his comedy The Plagiarists runs February 24 through 26.

[Author's note: The following was written for TheCurtainbox.com, the Web site for our area's Curtainbox Theatre Company, of which I've been a proud member for nearly a year.]

Recently, Curtainbox Theatre Company founder Kim Furness and I sat down over a glass of wine – all right, maybe a couple of glasses – to celebrate her company's 10-year anniversary. She had recently taken over the directing position for the Curtainbox's latest production, Speed-the-Plow (in the wake of original helmer Philip W. McKinley’s recruitment as new director of Broadway’s Spider-Man: Turn Off the Dark), and during our conversation, was happy to share her thoughts on the company’s history. (The David Mamet comedy Speed-the-Plow – featuring Erin Churchill, Dan Hernandez, and myself – runs at the Village of East Davenport’s Village Theatre from April 10 through 23, with preview performances April 8 & 9.)