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items tagged with David Lindsay Abaire

Green Piece: "Shrek: The Musical," at Bettendorf High School through July 20
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-07-14 12:03:00

Melissa Anderson Clark, Matthew McFate, and Brian Peterson in Shrek: The MusicalDirector/choreographer Christina Myatt nails the humor and heart of the story in Countryside Community Theatre’s Shrek: The Musical, borrowing sparingly from the Broadway show’s original directors, Jason Moore and Rob Ashford, without copying their achievement. Myatt’s personal mark on the material is most clear in her choreography, especially in the rousing, showy “What’s Up, Duloc?”, with its Broadway-style kick-lines, and the subtly innocent “I Know It’s Today,” which involves Princess Fiona at three different ages (played, from youngest to oldest, by Ali Girsch, Emily Baker, and Melissa Anderson Clark). Yet while funny and full of energy, Myatt’s Shrek also hits the right notes in its heartfelt moments, during which Myatt’s pacing allows some welcome breathing room. And it also doesn’t hurt that the musical, with its book by David Lindsay-Abaire and its memorably singable songs by Lindsay-Abaire and Jeanine Tesori, is a whole lot of fun.


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Wizard of Blahs: "Oz the Great & Powerful" and "Dead Man Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-03-10 03:08:36

James Franco in Oz the Great & PowerfulOZ THE GREAT & POWERFUL

As numerous effect-heavy entertainments have proved over the years, few film actors, and even fewer good ones, look altogether comfortable performing in wholly pixelated landscapes opposite wholly digitized characters. Yet I’m not sure I’ve seen any star look less connected with his artificial environment than James Franco does in Oz the Great & Powerful, director Sam Raimi’s mega-budgeted and intensely disappointing prequel to The Wizard of Oz.


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Ho Ho Horrible: "Rise of the Guardians," "Killing Them Softly," and "The Collection"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-12-03 13:45:05

Rise of the GuardiansRISE OF THE GUARDIANS

There appears to be a certain amount of bafflement, among those who track such things, as to why Rise of the Guardians has failed to make its expected dent on the late-autumn box office. Did the action comedy open too soon after the release of the similarly animated Wreck-It Ralph, thereby splintering its audience? Was the casting of Santa Claus, the Easter Bunny, and the Tooth Fairy as makeshift superheroes an idea deemed too juvenile for viewers over the age of three? Was the film’s title generic and confusing, leading potential crowds to expect the arrival of the owls of Ga’Hoole?

If I may, I’d like to posit a different, simpler theory: The movie just sucks.


Read More About Ho Ho Horrible: "Rise Of The Guardians," "Killing Them Softly," And "The Collection"...


Rock 'n' Rollin' on the River: "High Fidelity," at the Clinton Area Showboat Theatre through June 26
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-06-20 12:01:00

Nicole Ferguson and Brian Cowing in High FidelityThere is so much energy in the Clinton Area Showboat Theatre’s High Fidelity that I practically had to hold myself down in my seat throughout Thursday night’s performance to avoid jumping up and dancing along with the actors. Not only are the book by David Lindsay-Abaire, lyrics by Amanda Green, and music by Tom Kitt great fun, but director Patrick Stinson and his cast seem to have a rocking good time staging it.


Read More About Rock 'n' Rollin' On The River: "High Fidelity," At The Clinton Area Showboat Theatre Through June 26...


Hare, Hare!: “Rabbit Hole,” “Sanctum,” “The Ultimate Wave: Tahiti,” and “The Roommate”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-02-06 22:04:59

Nicole Kidman and Aaron Eckhart in Rabbit HoleRABBIT HOLE

John Cameron Mitchell’s Rabbit Hole, which stars Nicole Kidman and Aaron Eckhart as a married couple coping with the loss of their four-year-old son, is based on the Pulitzer Prize-winning play by screenwriter David Lindsay-Abaire, and there’s probably not much reason for the film to exist. Happily, though, it appears that nobody brought that to the director’s or the author’s attention, because as unnecessary movies go, Rabbit Hole is a mostly exemplary one – a stagey yet emotionally incisive, ultimately cathartic experience blessed with the sort of powerhouse cast that could never be assembled, in full, on a stage.


Read More About Hare, Hare!: “Rabbit Hole,” “Sanctum,” “The Ultimate Wave: Tahiti,” And “The Roommate”...





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