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items tagged with David Oyelowo

I'd Like to Thump the Academy … : Notes on the 2015 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2015-02-23 22:00:33

producer/writer/director Alejandro G. Iñárritu and team members of Best Picture Birdman or (The Unexpected Virtue of Ignorance)Neil Patrick Harris, at the tail end of last night's Academy Awards ceremony, climaxed his hosting duties with the resolution to a magic trick he'd set up earlier in the evening. Much, much earlier in the evening.


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For King and Country: "Selma," "Inherent Vice," and "Taken 3"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-01-12 00:27:44

David Oyelowo in SelmaSELMA

Movie violence is so prevalent – be it in horror films or action franchises (see Taken 3, if you must) or the PG-13 pummelings of every Marvel entertainment ever – that it’s shocking to see one whose brutal acts have the power to make you cry. But within the first minutes of the extraordinary Selma, director Ava DuVernay stages a literal explosion of historical violence so frightening, repellent, and emotionally overwhelming that, in the awestruck moments of silence that followed, it was absolutely no surprise to hear viewers sniffling.


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Serving in Silence: "Lee Daniels' The Butler," "Jobs," and "Kick-Ass 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-08-19 09:06:55

Oprah Winfrey and Forest Whitaker in Lee Daniels' The ButlerLEE DANIELS’ THE BUTLER

While raving to him about Lee Daniels’ The Butler – the glorious, heart-rending, hugely entertaining Civil Rights saga that may showcase the finest performance yet by star Forest Whitaker – a friend asked if it was the sort of movie that needed to be seen at the movies, or if it was something that could wait until home video. I replied that, as much as I think great films should always be seen first in as grandly scaled a format as possible, it was probably a work that wouldn’t lose much in the transition from big to smaller screen. Although director Daniels’ effort covers some 75 years of American history, with Whitaker portraying an eight-term White House servant over more than 50 of them, it’s still a rather intimate epic boasting a mostly understated visual style, and will no doubt play just fine in home-theater settings. (Actually, after the film’s “For Your Consideration” screeners are eventually sent out, I think it’s going to play awfully fine in the home-theater settings of Oscar voters. My first thought on the drive home was that even though it’s only August, this year’s Best Picture, Director, and Actor races were already all sewn up.)


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A Star Is Reborn: "The Guilt Trip," "This Is 40," and "Jack Reacher"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-12-24 00:20:27

Seth Rogen and Barbra Streisand in The Guilt TripTHE GUILT TRIP

Aside from her appearances as Ben Stiller’s hippie mom in those increasingly labored Meet the Parents sequels, Barbra Steisand hasn’t been seen in a film since her 1996 directorial effort The Mirror Has Two Faces, and considering what an ego-fueled embarrassment that picture was, some of us have been grateful for the break. It’s worth remembering, though, that when her material doesn’t let her down (and she’s not directing her own star vehicles), Streisand can still be a fantastically smart and inventive comedienne – which, happily, she’s allowed to be in nearly every scene of The Guilt Trip.


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Ground Zero Offense: "Extremely Loud & Incredibly Close," "Red Tails," and "Haywire"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-23 15:34:23

Tom Hanks and Thomas Horn in Extremely Loud & Incredibly CloseEXTREMELY LOUD & INCREDIBLY CLOSE

The protagonist of director Stephen Daldry’s Extremely Loud & Incredibly Close – based on Jonathan Safran Foer’s famed 9/11/01-themed novel and adapted by screenwriter Eric Roth – is Oskar Schell, an 11-year-old Manhattanite who tells a new acquaintance that he was once tested for Asperger’s syndrome, but that “the results weren’t definitive.” My first thought upon hearing that admission was that Oskar’s folks really should’ve sought a second opinion, because with young actor Thomas Horn tearing through breathless reams of stream-of-consciousness dialogue, his condition seemed definitive as all-get-out. My second thought, which I only fully composed during the end credits, and which I apologize for in advance, was that watching Extremely Loud was like watching a movie while an 11-year-old with Asperger’s yammers in your ear for 130 minutes.


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