items tagged with Demi Moore

If you will, please permit me a quick public apology before I expound on my 10 favorite movies of this past year:

Sorry, Muppets. If I hadn’t caught that out-of-town flick a week ago, you totally would’ve made the list. (Instead, you top the list of the 150 other 2011 movies I saw.)

In a rather perverse bit of scheduling, at least for me, last weekend brought with it the area release of exactly zero debuting films, while this past weekend delivered six ... on the same weekend, I should add, that I had a lengthy road trip out of town and appeared in four performances of a local stage production. But I’m not one to complain. Onward!

LOVE & OTHER DRUGS

In my 2009 review of the director’s turgid World War II drama Defiance, I opened by asking, “Am I the only person who wishes that Edward Zwick would go back to making sharp, bitchy comedies like his 1986 Rob Lowe-Demi Moore romance About Last Night ... ?” Well, less than two years later, Zwick has returned to those romantic-comedy roots with Love & Other Drugs. Because, apparently, I needed another reminder to be careful what I wish for.

DEFIANCE

Am I the only person who wishes that Edward Zwick would go back to making sharp, bitchy comedies like his 1986 Rob Lowe-Demi Moore romance About Last Night...? The director's latest - the action drama Defiance - tells the astonishing, true-life story of the Bielski brothers, who hid hundreds of fellow Jews in a makeshift Lipiczańska Forest camp during World War II, and who managed to fend off Russian officers and German armies through innovation, daring, incredible bravery, and a well-stocked supply of artillery. With Daniel Craig and Liev Schreiber as the ideologically warring siblings Tuvia and Zus Bielski, Defiance is impassioned and serious and God knows it's sincere, and it wasn't until about 45 minutes had passed that I realized I no longer watch Edward Zwick movies; I endure them.

OCEAN'S THIRTEEN

Memories of the meandering, tiresome, and ceaselessly smug Ocean's Twelve - Steven Soderbergh's first sequel to his 2001 heist flick Ocean's Eleven - were enough to make me leery about Ocean's Thirteen, and during the film's first reel, that feeling rarely subsided; it, too, seemed both simplistic and maddeningly convoluted, and inordinately pleased with itself from the get-go.