items tagged with Denise Yoder

Roughly 10 minutes before the Prenzie Players' presentation of The Winter's Tale gets underway, there's a brief, improvisational scene between the Bohemian king Polixenes (David Furness) and Prince Mamillius (Stephanie Moeller), the young son of the king and queen of Sicily.

Although its script is a great deal funnier than you might be expecting, the profound senses of heartbreak and loss that fuel David Lindsay-Abaire's Rabbit Hole tend to sneak up on you and hit like waves, knocking you off balance and leaving you somewhat shaken. Anyone attending the Richmond Hill Barn Theatre's current presentation of the playwright's family drama is advised to bring tissues. (Unless you go the route I did, and surreptitiously dry your cheeks during scene-change blackouts.) Yet there's something else you might also want to bring, something I hadn't anticipated through a mere reading of this Pulitzer Prize-winner: a bib.

David Lindsay-Abaire's Rabbit Hole won the 2007 Pulitzer Prize for drama, one year after winning a Best Actress Tony Award for Sex & the City star Cynthia Nixon. A movie adaptation is currently being filmed, starring Academy Award winners Nicole Kidman and Dianne Wiest.

When Geneseo's Richmond Hill Barn Theatre opens its presentation of Lindsay-Abaire's acclaimed play on August 13, it will feature popular local performers Jessica Nicol, Denise Yoder, and Susan Perrin-Sallak, and boast direction by Bryan Tank, much admired for his work in such Quad City Music Guild productions as Jekyll & Hyde, Evita, and the recent All Shook Up.

And, as Tank himself understands, Richmond Hill's Rabbit Hole is still no slam dunk.
Read More About Down The “Rabbit Hole”: The Richmond Hill Barn Theatre Takes A(Nother) Risk With A Pulitzer Prize-Winning Drama...

Director Lora Adams' Village Theatre production of The Boys Next Door opens and closes on the solitary figure of actor Jason Platt, and his portrayal here begs the question: Is there anything the man can't do?

Sure, it's the Greek tragedy to end all Greek tragedies. But is any stage tragedy, Greek or otherwise, as unashamedly, wickedly enjoyable as that of the fall of Oedipus?