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items tagged with Dennis Quaid

New Woody Film Marks a Return to Form: "Anything Else," "Secondhand Lions," "Cold Creek Manor," and "Cabin Fever"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-09-24 00:00:00

Jason Biggs and Woody Allen in Anything ElseANYTHING ELSE

As a lifelong fan of Woody Allen’s cinematic oeuvre, the last five years have been rather painful. Sure, Small Time Crooks was a lot of fun and Sean Penn delivered a truly inspired performance in Sweet & Lowdown, but The Curse of the Jade Scorpion, though intermittently amusing, felt pretty stale, and Celebrity and last year’s Hollywood Ending were just plain awful. (Part of being a true fan includes admitting when your heroes fail, and feeling somewhat heartbroken when they do.)


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Newly Arrived Oscar Nominees Unmissable: "Far from Heaven," "The Pianist," "Dark Blue," and "Gods & Generals"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-03-05 00:00:00

Julianne Moore and Dennis Haysbert in Far from HeavenFAR FROM HEAVEN and THE PIANIST

While huge movie markets such as New York and L.A. had to content themselves with only one major new release this past weekend – Cradle 2 the Grave, featuring the long-awaited pairing of Jet Li and Tom Arnold – we’re being treated to the area debuts of Far from Heaven and The Pianist, two of 2002’s greatest achievements and the recipients of 11 Oscar nominations between them. Both movies are so good that it’s almost churlish to recommend one over the over – by all means see both – but if pressed, I gotta give the edge to Todd Haynes’ Far from Heaven, which is unlike anything I’ve ever seen before.


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Gripping "Traffic" Is One for the Ages: Also, "All the Pretty Horses" and "Miss Congeniality"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-10 00:00:00

Catherine Zeta-Jones in TrafficTRAFFIC

Sitting in the audience for Steven Soderbergh’s drug drama Traffic, I heard a sound that had been sorely missing from 12-plus months of moviegoing: rapt, appreciative silence. It was the sort of silence that you only get when a director is in full control of his work, when the actors are working at peak form, and when the storyline is so gripping that you can’t wait to see where it will lead you next. Based on a British mini-series, Traffic is something increasingly rare in modern films: a large-scale epic with a human pulse, in which every character and nuance is sharply defined, and in which your alliances and points of view change with each passing scene. The accolades and awards already bestowed on the film aren’t simply a matter of it being the best of a bum year; it’s one of the best movies released in many years.


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Weepies: "Frequency" and "Where the Heart Is"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-05-03 12:00:00

Jim Caviezel in FrequencyFREQUENCY

All tearjerkers, in one way or another, focus on death. Tearjerkers for Guys, however, focus on the death (or impending death) of one's father. For my money, the crème de la crème of this genre is Field of Dreams, where Kevin Costner's love of baseball (another Tearjerkers-for-Guys staple) leads to the resurrection of his long-deceased dad, and which is so shamelessly manipulative and contrived and romantic about its supernatural and spiritual possibilities that it's irresistible.


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