items tagged with Diane Greenwood

As I watched Friday's performance of Any Number Can Die at the Playcrafters Barn Theatre, I tried to remember that there was (probably) a time when Fred Carmichael's script was considered hilarious. As a spoof of murder mysteries of the 1920s, this 1965 work may originally have been fresh, poking fun at the plays that audiences were used to seeing. Now, though, with so many comedies poking fun at murder-mystery clichés - and with one seemingly presented each year by Playcrafters - the jokes at the expense of the clichés have themselves become cliché. Still, Carmichael's script and Playcrafters' production of it are amusing enough to make the show at least tolerable.

Attending the theatre is typically a form of escapism, a chance to get lost in the magic of the staging and performances. And then there's Moon Over Buffalo, one of those shows that doesn't just let you escape into it, but lets you in on the antics of what's going on off stage. It's a show about actors and their messed up, dramatic lives.

Five Extraordinary Ensembles

An actor friend of mine says he always wants to be the worst performer in everything he's in, because if the rest of the cast is doing stronger work than he is, that means the show is in really, really good shape. With that in mind, any actor worth his or her salt would be thrilled to be the worst performer among these five ensembles.

Prior to its appearance on the Richmond Hill Barn Theatre's 2008 schedule, I hadn't heard of the Jessie Jones, Nicholas Hope, and Jamie Wooten comedy Dearly Beloved, so I was reasonably surprised when I arrived for Thursday's opening-night presentation and saw that, barring a handful of seats, the house was completely full. (Did these people know something I didn't?) I took it as a good sign, however, and there was an even more promising one not 60 seconds after the show started, when its first line, its very first, earned a huge, unexpected laugh.