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items tagged with Diego Luna

"Women & Children" First: "Men, Women & Children," "The Book of Life," "Meet the Mormons," "The Skeleton Twins," and "Venus in Fur"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-10-19 20:56:45

Rosemarie DeWitt and Adam Sandler in Men, Women & ChildrenMEN, WOMEN & CHILDREN

The single most definitive shot in director/co-writer Jason Reitman’s “Ee-e-eek! The Internet!” melodrama Men, Women & Children is one from the previews, in which Ansel Elgort trudges toward dozens of fellow high-schoolers, all of whom are so fixated on their phones that they can’t see anything, or anyone, directly in front of them.


Read More About "Women & Children" First: "Men, Women & Children," "The Book Of Life," "Meet The Mormons," "The Skeleton Twins," And "Venus In Fur"...


Wheel in the Sky Keeps on Turnin’: "Elysium"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-08-11 19:45:55

Matt Damon in ElysiumELYSIUM

In Neill Blomkamp’s Elysium, the sophomore sci-fi effort from the writer/director of District 9, the Earth of 2154 is a poverty-infested hell-hole that the richest of humans have evacuated for the gleaming, rotating space habitat of the film’s title. An orbiting gated community of luxury, privilege, and (from what we can tell) almost universally white people, it’s the utopia that our hero, Matt Damon’s steelworker Max, longs to escape to, particularly after a fatal dose of radiation limits his time left on Earth to five days. (Medical advances on Elysium have eradicated disease completely; after one cycle through a futuristic CAT-scan machine, even cancer cells are killed.) The unaddressed joke of Blomkamp’s film, however, is that Elysium – with its sterile mansions and perfectly mowed lawns and vacuous non-entities sipping champagne from crystal flutes – looks like a dismally dull place to be compared to the lively, recognizably human Earth, even in its decimated state. What’s less of a joke is that Elysium itself, once we land on the titular site in its last half hour, is also dismally dull – or at least, dishearteningly formulaic – compared to the Earth-set goings-on of the film’s first 70 minutes.


Read More About Wheel In The Sky Keeps On Turnin’: "Elysium"...


Moore Becomes an Artist with "Fahrenheit 9/11": Also, "The Terminal" and "Dodgeball: A True Underdog Story"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-06-30 00:00:00

President George W. Bush in Fahrenheit 9/11FAHRENHEIT 9/11

I have several friends, including professed liberals, who can’t stand Michael Moore, and it’s not hard to see why: Even if you’re on-board with Moore’s politics, his glibness, bullying tactics, self-promotion, relentless simplifying, and anything-for-a-laugh gags can get in the way of his Bigger Picture, to the point where his methods overcome his message.


Read More About Moore Becomes An Artist With "Fahrenheit 9/11": Also, "The Terminal" And "Dodgeball: A True Underdog Story"...


Stiller and Wilson Shine in "Starsky & Hutch": Also, "Twisted," "Against the Ropes," "Dirty Dancing; Havana Nights," "Eurotrip," and "The Triplets of Belleville"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-03-10 00:00:00

Ben Stiller and Owen Wilson in Starsky & HutchSTARSKY & HUTCH

In various projects over the years, Ben Stiller and Owen Wilson have repeatedly proven their talents in writing, directing, and performing, yet if they were to trash all their other aspirations and simply make one deliriously dumbass comedy together per year, I, for one, wouldn’t mind in the slightest.


Read More About Stiller And Wilson Shine In "Starsky & Hutch": Also, "Twisted," "Against The Ropes," "Dirty Dancing; Havana Nights," "Eurotrip," And "The Triplets Of Belleville"...


Costner the Actor Kills Costner the Director: "Open Range," "Freddy Vs. Jason," "Uptown Girls," and "Marci X"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-08-27 00:00:00

Kevin Costner and Robert Duvall in Open RangeOPEN RANGE

What will it take for Kevin Costner to give a performance again? His new movie, the western Open Range, which he also directed, has a lot going for it – beautiful camerawork, impressive editing, a strong, simple storyline, a marvelously cantankerous Robert Duvall – yet smack at the center is sweet, dear, painfully inadequate Kevin Costner, looking and sounding so uninvolved with his surroundings and his fellow actors that he weakens his entire film. (It took great restraint to laugh at him only once, at his hysterically unmotivated reading of the cowpoke classic “Let’s rustle up some grub.”) Some will argue that Costner is actually deeply in character, playing an uncivilized man for whom conversation and companionship offer little comfort, but look at him onscreen: His Zen blankness is indistinguishable from a coma, and his “concentration” resembles nothing so much as a somnambulist struggling to stay awake. As usual, Costner is fine with rare moments of fringe comedy – reminding us why we once liked him in movies like Bull Durham and Field of Dreams and Tin Cup – but he’s positively deadly in Open Range, and not because of his character’s prowess with a gun.


Read More About Costner The Actor Kills Costner The Director: "Open Range," "Freddy Vs. Jason," "Uptown Girls," And "Marci X"...





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