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items tagged with Documentaries

Rob Schneider’s Penis Envy: "Deuce Bigalow: European Gigolo," "The Wild Parrots of Telegraph Hill," and "The Sketeton Key"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-08-17 00:00:00

Rob Schneider and Eddie Griffin in Deuce Bigalow: European GigoloDEUCE BIGALOW: EUROPEAN GIGOLO

Some comedies are so colossally, ridiculously unfunny that you’re left with no choice but to stare at them in abject bewilderment. To the surprise of probably no one, Deuce Bigalow: European Gigolo is such a comedy. Yet the movie – and I hesitate to call it one – is actually far more intriguing than “colossally, ridiculously unfunny” would indicate.


Read More About Rob Schneider’S Penis Envy: "Deuce Bigalow: European Gigolo," "The Wild Parrots Of Telegraph Hill," And "The Sketeton Key"...


"Stealth" Bomb: Also, "Bad News Bears," "Mad Hot Ballroom," and "The Devil's Rejects"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-08-03 00:00:00

Jamie Fozz, Jessica Biel, and Josh Lucas in StealthSTEALTH

If you can love a movie, and hate a movie, I guess there’s no reason you can’t feel sorry for a movie, and boy, does my heart go out to Stealth. It’s the kind of dear, sad little flick that makes you want to pat it on the head and whisper, “It’s okay, it’ll all be over soon … They’ll make fun of you for two weeks and then no one will even remember your name.”


Read More About "Stealth" Bomb: Also, "Bad News Bears," "Mad Hot Ballroom," And "The Devil's Rejects"...


Bay’s Latest a Personal Best – and an OK Movie: "The Island," "Hustle & Flow," "Wedding Crashers," and "March of the Penguins"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-07-27 00:00:00

Scarlett Johansson and Ewan McGregor in The IslandTHE ISLAND

If we absolutely must endure movies by Michael Bay, we could do a lot worse – we have done a lot worse – than The Island. As usual, there isn’t a plot point or turn of character here that Bay doesn’t make wincingly obvious, and, apparently, there’s no getting rid of either his tiresome sentimental streak or his sniggering, insulting stabs at “humor.” (When Bay attempts to be serious I giggle, and when he tries to make jokes, I go numb.) But I’d be lying if I didn’t admit to being reasonably entertained by The Island. Bay has hold of an intriguing story idea, and even if the movie eventually turns into routine action-thriller nonsense, at least that nonsense is delivered with speed, a few memorable images, and even something resembling humanity. Like all Michael Bay movies, The Island runs a good bit over two hours. Unlike the others, I barely noticed.


Read More About Bay’S Latest A Personal Best – And An OK Movie: "The Island," "Hustle & Flow," "Wedding Crashers," And "March Of The Penguins"...


A Surprisingly "Fantastic Four": Also, "Enron: The Smartest Guys in the Room" and "Rebound"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-07-13 00:00:00

Chris Evans, Ioan Gruffudd, Jessica Alba, and Michael Chiklis in Fantastic FourFANTASTIC FOUR

Fantastic Four is the first comic-book adaptation in ages that doesn’t seem ashamed to be a comic-book adaptation, for which I applaud it. No one could possibly argue that the film is better-made than something such as Batman Begins, but I, for one, certainly preferred it; given the choice between this obvious, goofy time-waster or Christopher Nolan’s dour mope-fest, I’d go with Fantastic Four every time. What we might lose in subtext, technical precision, and performance quality is more than made up for in inspiration and good humor, and the film has a true sense of playfulness. Finally – screen superheroes who are actually enjoying themselves!


Read More About A Surprisingly "Fantastic Four": Also, "Enron: The Smartest Guys In The Room" And "Rebound"...


"The Interpreter" a Thriller in Intent Only: Also, "Born Into Brothels," "The Amityville Horror," and "Kung Fu Hustle"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-04-27 00:00:00

Sean Penn and Nicole Kidman in The InterpreterTHE INTERPRETER

Why do Sydney Pollack’s movies so rarely have the snap and directness of his acting? Pollack doesn’t appear onscreen nearly enough, and when he does, it’s usually only for a scene or two. (His intellectual lout in Husbands & Wives was a rare, marvelous exception.) But these extended cameos – in Tootsie (which he also directed), Death Becomes Her, and Changing Lanes, especially – show Pollack the Actor to be a quick-witted utility player with focus and drive; without the slightest apparent effort, he can steal scenes from Dustin Hoffman or Tom Cruise, and any movie he’s in gains in intensity and sharpness when he’s around. Pollack the Director is another matter entirely. In the years since 1982’s Tootsie, he has churned out one logy, shapeless, middlebrow time-waster after another: Havana, The Firm, Sabrina, Random Hearts … they all wear their “prestige” on their sleeves, mistake inertia for depth, and are painfully overlong. (It’s the Out of Africa Syndrome.)


Read More About "The Interpreter" A Thriller In Intent Only: Also, "Born Into Brothels," "The Amityville Horror," And "Kung Fu Hustle"...





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