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items tagged with Dolores Sierra

The Sound and the Furry: "Cats," at the Prospect Park Auditorium through July 19
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2015-07-13 16:29:22

Dolores Sierra in CatsOne of the biggest stars of Quad City Music Guild’s take on Andrew Lloyd Webber’s Cats never appears on stage, though her mark is rarely invisible the entire time, as designer Sara Wegener is responsible for the costumes, makeup, and wigs worn by the musical's cast of felines. Obviously drawing inspiration from the original West End and Broadway productions, it’s a bit of a shame that the intricacy in her makeup, in particular, isn’t fully discernible from the audience, because the detail in her work is exceptional. Adding her spiked-fur wigs with plush fabric ears, and her bodysuits and loose shirts and pants colored to look like various cat coats, Wegener's contributions are award-worthy.
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Turn of the Scrooge: "A Christmas Carol," at the District Theatre through December 15
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-12-09 12:00:00

Doug Kutzli in A Christmas CarolOn Saturday evening, I was reminded of the local treasure that is the District Theatre’s A Christmas Carol. Written by Tristan Layne Tapscott with music by Danny White, this holiday musical is something special: a locally created piece so good that it could, and should, be staged by theatres throughout the country. And this year – the second the theatre has produced the show – brings some notable changes from last winter's staging of this theatrical gem.


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Who's the Boss?: "9 to 5: The Musical," at the Prospect Park Auditorium through August 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-08-12 12:00:00

Kelly Thompson, Dolores Sierra, Katie Casey, Valeree Pieper, and Shana Kulhavy in 9 to 5: The MusicalQuad City Music Guild’s production of 9 to 5: The Musical is flat-out fun, with loads of laughs and major amusement delivered throughout the two-and-a-half-hour presentation. Friday’s performance, for me, was one of the most enjoyable stagings of the summer, with exceptional performances from the musical’s three main actors as well as several supporting cast members. The pit band, under the music direction of music Gregg Neuleib, didn’t seem to miss a note during their dynamic accompaniment. And Erin Churchill’s peppy choreography seems of a higher level of difficulty than is customary at Music Guild, but in a welcome way, as the show's ensemble proved up to the task. With its perfect pacing and high energy, and under the capable direction of John VanDeWoestyne, I’d say Music Guild has a definite hit on its (stage)hands.


Read More About Who's The Boss?: "9 To 5: The Musical," At The Prospect Park Auditorium Through August 18...


Sing It, Scrooge!: "A Christmas Carol," at the District Theatre through December 23
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-12-17 12:00:00

Doug Kutzli and Linda Ruebling in A Christmas CarolI had high expectations for the District Theatre’s musical version of A Christmas Carol, given my knowledge of Tristan Layne Tapscott’s and Danny White’s talents. But Tapscott’s book and White’s music and lyrics actually exceeded my expectations during Friday’s world-premiere performance, as the two have conceived a musical that I can see being produced by theatres across the country without requiring workshops and major rewrites. While their piece could still use some minor refinement, their version of the story of Ebeneezer Scrooge is remarkable for Tapscott's handling of the narrative, and White’s cleverly crafted lyrics and gorgeous instrumentation.


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The Odes of March: "Little Women," at the Prospect Park Auditorium through July 20
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2008-07-16 08:47:07

Erin O'Shea and J. Adam Lounsberry in Little Women In Louisa May Alcott's Little Women, the storytelling and language are already so musical that the decision to adapt the author's tale into a musical seems a little redundant. But as redundancies go, the musical version of Little Women is actually pretty good, and under the direction of Bob Williams, Quad City Music Guild's take on the show is pretty damned good - marvelously designed, staged, sung, and (apart from two glaringly inappropriate performances) acted. Alcott purists may gripe, and not without cause, but it'd be hard to gripe about Music Guild's presentation of the material, and, I think, impossible to gripe about the portrayal of Erin O'Shea, whose stunningly radiant turn as Jo March seems reason enough for the existence of a Little Women musical.


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