items tagged with Dracula

The Clinton Area Showboat Theatre’s production of It’s a Wonderful Life: A Live Radio Play has several things going for it. One, it’s nostalgically familiar – who hasn’t seen the It’s a Wonderful Life movie at least once? Two, it’s a holiday show for an audience that’s more than likely in a Christmas spirit, and already jolly when sitting down to watch the play. And three, it’s short, running one hour without an intermission. However, there’s one major element missing from the Showboat’s show that would make it really good: melodrama.

If not for Patrick Stinson’s direction and the cast’s performances (Cole Rauch’s and Tanya Smith’s in particular) adding an effectively creepy air, the Clinton Area Showboat Theatre’s Dracula would be a rather dull affair. Playwright Crane Johnson, it seems, would much rather describe vampiric events in his script than write so that anyone directing the play might show them. It’s not nearly as frightening, after all, to hear someone tell of bodies found or women bitten in the neck as it is to see these events happen before your very eyes.

Five Inspiring Ensembles

Powerful lead performances and scene-stealing supporting turns are always welcome; one- and two-character shows can be a gas. But for my money, nothing quite beats the theatrical pleasure of watching a tightly knit ensemble in action, and the following five productions ensured that this pleasure was a continual one.

As with a person, sometimes you can fall immediately, madly, irrationally in love with a play. And I think I fell in love with author Charles Morey's Laughing Stock within its first two minutes, when artistic director Gordon Page (Don Hazen) introduced visiting actor Jack Morris (Alex Klimkewicz) to his venerated theatre in New Hampshire, and the young man took a moment to assess his surroundings before saying, incredulously, "It's a barn."

FORGETTING SARAH MARSHALL

Director Nicholas Stoller's Forgetting Sarah Marshall is a happy movie about misery, but during its first half hour or so, the film's rhythms are so unusual that you might not be sure what it is.