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items tagged with dramas

Cars, Cops, Callers, and Caves: “Talladega Nights: The Ballad of Ricky Bobby,” “Miami Vice,” “The Night Listener,” and “The Descent"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-08-09 04:28:02

Will Ferrell and John C. Reilly in Talladega Nights: The Ballad of Ricky BobbyTALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY

The Will Ferrell spoof Talladega Nights: The Ballad of Ricky Bobby, like the actor's Anchorman: The Legend of Ron Burgundy, is less a movie than a sketch-comedy figure with a little bit of movie draped around him. And despite its narrow conceit - again, just like Anchorman - it isn't bad at all.


Read More About Cars, Cops, Callers, And Caves: “Talladega Nights: The Ballad Of Ricky Bobby,” “Miami Vice,” “The Night Listener,” And “The Descent"...


Brush with Greatness: "Art School Confidential," "Poseidon," "An American Haunting," "Akeelah & the Bee," "Hoot," and "RV"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-17 08:25:35

John Malkovich and Max Minghella in Art School ConfidentialART SCHOOL CONFIDENTIAL

I’ve read critics who have described Terry Zwigoff’s Art School Confidential as nihilistic, sour, and mean-spirited. They’re saying it like that’s a bad thing. Working with screenwriter Daniel Clowes – adapting the film from his comic book, and again collaborating with the director who helmed 2001’s Clowes-scripted Ghost World – Zwigoff has, here, fashioned a wonderfully nihilistic, sour, and mean-spirited comedy; it might take easy potshots at the politics and posturings of the art community, but those potshots are funny and clever, and the film’s refusal to sentimentalize any of its characters (even our protagonist) is incredibly refreshing. Still, the movie has been met with much dissatisfaction, if not outright annoyance. Art School Confidential seems, to me, the most thoroughly misunderstood movie of the year.
Read More About Brush With Greatness: "Art School Confidential," "Poseidon," "An American Haunting," "Akeelah & The Bee," "Hoot," And "RV"...


United They Stood: "United 93," "Friends with Money," and "Silent Hill"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-03 00:00:00

United 93UNITED 93

The question of whether it’s too soon for United 93 is endlessly debatable. Yet United 93 we have. And having seen Paul Greengrass’ dramatic re-creation of those shattering minutes aboard the doomed Newark-to-San Francisco flight on the morning of September 11, 2001, it seems that the timing of its release isn’t just acceptable but – for this particular film, at any rate – absolutely essential.


Read More About United They Stood: "United 93," "Friends With Money," And "Silent Hill"...


Take Me Out of the Ball Game: "The Benchwarmers," "Take the Lead," and "ATL"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-04-12 00:00:00

Jon Heder, Rob Schneider, and David Spade in The BenchwarmersTHE BENCHWARMERS

The audience laughter at The Benchwarmers chilled me to the marrow. What in God’s name are we allowing to pass for “children’s entertainment” these days? Dennis Dugan’s “comedy” is about a trio of aging dweebs (Rob Schneider, David Spade, and Jon Heder) who – seeking retribution for their childhood humiliations – arrange to play in a Little League tournament, and it’s better for everyone’s mental health that I ignore the logistics of the plotting.Suffice it to say that the film is an empowerment fantasy for middle-aged booger-eaters everywhere. But it isn’t geared toward adults. (At least, not adults with IQs in the triple digits.) The Benchwarmers is a diversion aimed squarely at kids, and as such, it’s almost unspeakably repellent – the movie is so hateful that you want to file a restraining order against it.


Read More About Take Me Out Of The Ball Game: "The Benchwarmers," "Take The Lead," And "ATL"...


DVDs to Watch, and Watch Again: "The Squid & the Whale" and "The Dying Gaul"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-03-29 00:00:00

THE SQUID & THE WHALE and THE DYING GAUL

Before accepting his career-achievement prize at the Academy Awards this year, director Robert Altman – his voice-over accompanying clips from his works – explained his raison d’etre: “Stories don’t interest me,” he said. “Basically, I’m more interested in behavior.” Considering his contributions to film, the admission made perfect sense – how do you adequately describe the story of M*A*S*H or Nashville or Short Cuts? But it also touched on something elemental about the movie-going experience, in terms of the emotional connections we often make with the characters on-screen. When these literally two-dimensional figures reveal themselves to be as complicated and unpredictable, as human, as we are – when we recognize their behavior with a laugh or a nod or a wince – “story” doesn’t really matter a damn; the experience of watching characters just being can be its own spellbinding reward.


Read More About DVDs To Watch, And Watch Again: "The Squid & The Whale" And "The Dying Gaul"...





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