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items tagged with dramas

The Season’s Best Movies Might Be at the Video Store: "Startup.com," "Wit,"and "61*"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-09-26 00:00:00

Kaleil Isaza Tuzman and Tom Herman in Startup.comSTARTUP.COM, WIT, and 61*

I had the good fortune to view three sensational 2001 releases last week, but as you might imagine, none of them is playing at your local movie theatre. The Warner Bros. and Touchstone studios showed welcome tact by delaying the premieres of Training Day and Big Trouble, initially scheduled for release on September 21, in light of the tragic events of September 11; apparently, both films feature subplots that, in our current national climate, might be inappropriate for mass consumption. (One of the plotlines in Big Trouble, for example, deals with the impending detonation of a nuclear device.) Good for Hollywood, I say, and I hope they feel free to forever shelve any movie where explosions could legitimately be billed as featured characters. Will any of us feel the desire to watch the destructive, slow-motion set-pieces in something like Die Hard or Independence Day ever again? Should we ever have wanted to in the first place?


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Hollywood Marketing Triumphs with Two Bad Movies: "Rock Star" and "The Musketeer"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-09-12 00:00:00

Jennifer Aniston and Mark Wahlberg in Rock StarROCK STAR and THE MUSKETEER

If you were to guess based solely on their previews, you’d probably imagine Stephen Herek’s Rock Star to be a kitschy, affectionate look at heavy metal in the ‘80s – like This Is Spinal Tap played straight – and Peter Hyams’ The Musketeer to be a brisk reinterpretation of the Alexandre Dumas classic with a martial-arts bent – Crouching Tiger, Hidden D’Artagnan.
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"O" Why Did They Bother?: Also, "Jeepers Creepers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-09-05 00:00:00

Mekhi Phifer in OO

We’ve had so many reinterpretations of Shakespeare’s classics in recent years, and so many that have been surprisingly fine (I’m thinking of 10 Things I Hate About You, the Ethan Hawke Hamlet, and the genre’s standard-bearer, Baz Luhrmann’s Romeo + Juliet), that you’re inclined to give O, which sets Othello in the world of high-school basketball, the benefit of the doubt.


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"Baby Boy" Shows Singleton All Grown Up: Also, "crazy/beautiful" and "Scary Movie 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-07-11 00:00:00

Ving Rhames and Tyrese Gibson in Baby BoyBABY BOY

It’s a small movie, but the scope of John Singleton’s Baby Boy is enormous; the film is nothing less than a critique of young African-American males, a warts-and-all look at the infantilization of those who consider themselves true men. Singleton received great acclaim a decade ago for his writing/directing debut, Boyz N the Hood, and while his take on Shaft last summer was an enjoyably over-the-top romp, Baby Boy is his first work to make good on the promise he showed in 1991: The movie is superb. Where nearly every scene in Boyz N the Hood was filled with dread and the threat of violence, the images in Baby Boy are steeped in sadness and resignation, with exquisite moments of joy, fear, and strength throughout.


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"Moulin Rouge" Provokes Passionate Response: Also, "Pearl Harbor" and "What's the Worst That Could Happen?"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-06-07 00:00:00

Nicole Kidman and Ewan McGregor in Moulin RougeMOULIN ROUGE

I loved Baz Luhrmann’s musical Moulin Rouge, but what I adore even more than the film itself are works like it – artistically divisive movies that give you no choice but to love or hate them.


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