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items tagged with dramas

Enjoyable Junk Triumphs over Dull Intelligence: "Thirteen Days" and "Finding Forrester"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-17 00:00:00

Steven Culp, Kevin Costner, and Bruce Greenwood in Thirteen DaysTHIRTEEN DAYS

Just because a movie is smart doesn’t mean it’ll avoid dullness. Roger Donaldson’s Thirteen Days, which documents the terrifying two weeks of the Cuban Missile Crisis, is evidence of this, a well-scripted, well-acted drama that might still cause you to doze off.
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Gripping "Traffic" Is One for the Ages: Also, "All the Pretty Horses" and "Miss Congeniality"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-10 00:00:00

Catherine Zeta-Jones in TrafficTRAFFIC

Sitting in the audience for Steven Soderbergh’s drug drama Traffic, I heard a sound that had been sorely missing from 12-plus months of moviegoing: rapt, appreciative silence. It was the sort of silence that you only get when a director is in full control of his work, when the actors are working at peak form, and when the storyline is so gripping that you can’t wait to see where it will lead you next. Based on a British mini-series, Traffic is something increasingly rare in modern films: a large-scale epic with a human pulse, in which every character and nuance is sharply defined, and in which your alliances and points of view change with each passing scene. The accolades and awards already bestowed on the film aren’t simply a matter of it being the best of a bum year; it’s one of the best movies released in many years.


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The Eyes Have It, and an Apology from Hollywood: "Cast Away" and "The Family Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-03 00:00:00

Tom Hanks in Cast AwayCAST AWAY

In Cast Away, Robert Zemeckis’ most fully satisfying work in ages, Tom Hanks stars as Chuck Noland, a FedEx engineer for whom the world can’t move fast enough; he’s obsessed with time-saving, whether it be with associates in Moscow or friends at home. Before boarding a plane for a business conference, he even goes so far as to give his girlfriend (Helen Hunt) a wrapped engagement ring, instructing her to open it when he returns. (He saves lead-in time on its actual presentation.) But somewhere over the Pacific, the plane crashes (in one of cinema’s most terrifying airplane disasters), and Chuck is washed up on a deserted island with little hope of escape or rescue; suddenly, he has all the time in the world, and the film, which had previously been lightning quick, slows down to a crawl.


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No Rescue from These Flawed Films: "Proof of Life" and "Vertical Limit"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-12-14 00:00:00

Meg Ryan and Russell Crowe in Proof of LifePROOF OF LIFE

Proof of Life, the kidnapping drama by director Taylor Hackford, stars David Morse as Peter Bowman, an American engineer living near the Andes who gets abducted by a group of Latin American revolutionaries convinced that Bowman’s dam-building project is an insidious political maneuver.


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The Billy Club: "Billy Elliot" and "Men of Honor"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-15 00:00:00

Jamie Bell in Billy ElliotBILLY ELLIOT

Billy Elliot, the British coming-of-age comedy/drama that has finally opened wide after a successful art-house run, is for anyone who longs to see a strong, simple story finely detailed and exquisitely performed.


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