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items tagged with dramas

Four Stories and Seven Hours or So – Notes on a Quadruple Feature: "Divergent," "Muppets Most Wanted," "The Earth Wins," and "God’s Not Dead"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-25 20:01:29

Theo James and Shailene Woodley in DivergentMarch 24, 10:30 a.m.-ish: After several days spent visiting friends in Ohio – among them, now, my hosts’ adorable 17-month-old daughter – I return to my movie-reviewing duties filled with fresh perspective and hope for the future. Then I see Divergent, which earned $54.6 million over the weekend, and is already green-lit for two follow-up films. Well, the feeling was fun while it lasted.


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Stale Magnolias: "Tyler Perry's The Single Moms Club" and "Need for Speed"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-16 21:57:00

Nia Long, Wendi McLendon-Covey, Zulay Henao, and Cocoa Brown in Tyler Perry's The Single Moms ClubTYLER PERRY’S THE SINGLE MOMS CLUB

In Tyler Perry’s new movie, a quintet of women with seemingly nothing in common beyond their single-parent status decide to ... .

I’m sorry. Can we stop for a moment? Tyler Perry has another new movie?! Is the yuletide corpse of A Madea Christmas even cold yet?


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Airport '14: "Non-Stop" and "Son of God"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-01 19:02:44

Liam Neeson in Non-StopNON-STOP

Every Academy Awards season, the idea of adding a Best Casting category appears to gain some traction among film journalists and professionals. (This past autumn saw the limited release of a documentary – Tom Donahue’s Casting by – devoted to the subject, and Woody Allen, whom one would’ve thought indifferent to the Oscars at best, even wrote an open letter to the Hollywood Reporter in support of a casting trophy.) I’m personally fine with restricting the ceremony to the two dozen categories we do have, but if such recognition were to be included, voters could do worse than to consider Amanda Mackey and Cathy Sandrich Galfond – casting directors for the enjoyably ludicrous Non-Stop – for the prize. To be sure, it doesn’t take much wit to suggest that Liam Neeson play a grieving alcoholic with a bad temper and a gun. But casting, as two beleaguered flight attendants, 12 Years a Slave’s abused slave Patsey opposite Downton Abbey’s rigid Lady Mary? Now that’s witty.


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There’s a Hole in Your Vessel, Dear Redford, Dear Redford … : "All Is Lost" and "That Awkward Moment"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-02-02 21:13:59

Robert Redford in All Is LostALL IS LOST

Continuing to earn cool points following their November booking of Enough Said – a marvelous movie that finally landed in our area several months after its initial national release – schedulers for Moline’s Nova 6 Cinemas have done it again with the booking of All Is Lost, another critically acclaimed title that managed to bypass the Quad Cities’ first-run cineplexes. And given the overall strength of writer/director J.C. Chandor’s achievement, I couldn’t be happier about its arrival, late though it may be. (Not too late, however, for those of us wanting to catch as many Oscar-nominated films as possible prior to the March 2 ceremony. Chandor’s follow-up to 2011’s exquisite Margin Call – which also made its local debut at Nova 6 – is nominated for Best Sound Editing.) You may have heard about the film: It’s the one in which a lone sailor played by Robert Redford has to contend with a slowly sinking ship while adrift in the Indian Ocean, and with the exception of roughly 50 words, it’s as lacking in dialogue as The Artist. It’s also, for the majority of its 100 minutes, both wrenching and exhilarating.


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Plains Spoken: "Nebraska," "Gimme Shelter," and "I, Frankenstein"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-26 23:52:43

Will Forte and Bruce Dern in NebraskaNEBRASKA

After opening nationally (in larger markets) in November, Alexander Payne’s comic elegy Nebraska – nominated for six Oscars, including Best Picture and Director – finally hit Quad Cities cineplexes this past weekend. I actually saw the film in Chicagoland over the holidays, and ordinarily, when preparing to review a film I first viewed a month prior, I’d take in a second screening to reacquaint myself with the images, dialogue, and performances. But I didn’t with Payne’s latest. I took in a second screening just for the sheer pleasure of the experience. Memories of Nebraska’s marvelous images, dialogue, and performances, thank you very much, were still wonderfully fresh.


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