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items tagged with Ed Harris

Pulp Friction: "A History of Violence," "Oliver Twist," and "Serenity"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-10-05 00:00:00

Viggo Mortensen in A History of ViolenceA HISTORY OF VIOLENCE

I was completely rapt by the austerity and dread of David Cronenberg’s A History of Violence – for the first five minutes. In the film’s beautifully sustained opening sequence, we watch as two men – one middle-aged, in a black suit, and another, younger and sporting a T-shirt and jeans – exit their motel room. They load up their car, and the older gentleman drops off the room key while the other – slowly, slowly – pulls the car up to meet him. Moments later, the older man returns, having had, he says, “a little trouble with the maid.” But before they leave, they need water. The younger man enters the motel office to replenish their supply, and as he does, we finally see the image that Cronenberg has thus far denied us, and that we in the audience have properly anticipated – the motel manager and maid lying dead in pools of blood. A frightened little girl, gently stroking the hair of her doll, enters the scene and makes eye contact with the younger killer. And the man, smiling gently, tells her not to be afraid, slowly aims his revolver at the girl’s head, and fires.


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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Campion’s Latest Doesn’t Work, but It’s Hard to Shake: "In the Cut," "Beyond Borders," and "Buffalo Soldiers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-11-05 00:00:00

Meg Ryan and Mark Ruffalo in In the CutIN THE CUT

Jane Campion’s erotic thriller In the Cut is, for the most part, an unholy mess, but as messes go, it’s certainly one of 2003’s more intriguing ones.


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"Scary Movie 3" an Improvement, but Not Clever Enough: Also, "Runaway Jury" and "Radio"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-10-29 00:00:00

Anna Faris and Drew Mikusa in Scary Movie 3SCARY MOVIE 3

With Scary Movie 3, the assignment of directing has been passed from Keenen Ivory Wayans to Airplane!’s David Zucker, which is a big step forward right there. (Zucker isn’t much of a director, either, but at least he has ideas on how to shape a scene, and is actually pretty adept at making his film parodies look like the films they’re parodying.) Plus, any time Zucker and company are satirizing the outrageous pomposity of M. Night Shymalan, whose Signs receives – and deserves – particularly harsh treatment here, Scary Movie 3 is everything you want a movie spoof to be: smart, funny, and more than a little mean. (And heartening – until now, I thought I was the only one who detested Shymalan’s “Hitchcockian” appearance as the vet who accidentally kills Mel Gibson’s wife in Signs.) The wide-eyed, appealing Anna Faris returns as the lead, ably satirizing Naomi Watts’ reporter from The Ring, and comic actors such as Charlie Sheen, Jeremy Piven, Queen Latifah, Camryn Manheim, and legendary spoofster Leslie Nielsen all score some laughs. So why is Scary Movie 3 still so disappointing?


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"The Hours" Among the Year’s Best: Also, "Narc" and "Just Married"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-01-22 00:00:00

Meryl Streep and Ed Harris in The HoursTHE HOURS

Stephen Daldry’s The Hours is so meticulously crafted, so assured in its conception, and so insistent on its themes and motifs that it’s bound to drive a lot of people bananas.


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