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items tagged with Emile Hirsch

Folk Yeah!: "Inside Llewyn Davis" and "Lone Survivor"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-13 03:18:31

Oscar Isaac, Justin Timberlake, and Adam Driver in Inside Llewyn DavisINSIDE LLEWYN DAVIS

There are some Coen-brothers movies – Fargo and O Brother, Where Art Thou? and True Grit come immediately to mind – that, because they exude such palpable filmmaking energy and are so spectacularly quotable, I wanted to talk about immediately after first seeing them. Then there are the rarer Coen-brothers movies, among them The Hudsucker Proxy and Intolerable Cruelty and Burn After Reading, that I didn’t feel much like talking about afterward, mostly because I didn’t enjoy them much on a first go-round. (Though I’ve consequently become a big fan of Joel’s and Ethan’s Hudsucker and Burn, in the case of Intolerable Cruelty, second and third go-rounds did nothing to improve matters.)

And then there are Coen-brothers movies such as the new Inside Llewyn Davis, a work that is, I think, so good that I don’t want to discuss it for fear of not coming close to doing it justice.


Read More About Folk Yeah!: "Inside Llewyn Davis" And "Lone Survivor"...


A Good Movie? Aye. A Great Movie? Neigh.: "War Horse," "We Bought a Zoo," "My Week with Marilyn," and "The Darkest Hour"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-12-27 20:22:12

Jeremy Irvine in War HorseWAR HORSE

A grandly scaled adventure about a boy who gets a horse, then loses the horse, then joins the British infantry to find the horse, War Horse is the sort of triumphant, lump-in-the-throat epic that director Steven Spielberg should be able to pull off in his sleep. Consequently, the highest compliment I can pay the movie is that its helmer, at all times, appears to be fully awake here. There’s palpable filmmaking energy in nearly every shot, and several passages in this World War I family drama are so thrilling and painful and spectacularly well-choreographed that they rank among the finest in Spielberg’s career.


Read More About A Good Movie? Aye. A Great Movie? Neigh.: "War Horse," "We Bought A Zoo," "My Week With Marilyn," And "The Darkest Hour"...


Scary Movies, Two: "The Final Destination," "Halloween II," and "Taking Woodstock"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-08-30 20:05:37

Haley Webb and Nick Zano in The Final DestinationTHE FINAL DESTINATION and HALLOWEEN II

In a somewhat odd scheduling decision, this past weekend saw the release of both The Final Destination - the fourth in the popular series of cheat-death-and-pay-the-price splatter flicks, presented (on some screens) in eyeball-gouging 3D - and Halloween II, writer/director Rob Zombie's sequel to his 2007 remake of John Carpenter's horror classic. But for fellow genre fans wondering which of the two makes for a more gratifying fright film, I'm afraid it's a draw; the former is kind of fun but mostly terrible, while the latter is kind of fascinating but almost no fun at all.


Read More About Scary Movies, Two: "The Final Destination," "Halloween II," And "Taking Woodstock"...


Running on Empty: "Speed Racer," "What Happens in Vegas...", and "Redbelt"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-14 08:13:47

Emile Hirsch and Christina Ricci in Speed RacerSPEED RACER

In future years, when I'm wondering exactly when it was that I turned into a very old man, I'm hoping I'll remember the date of May 9, 2008, when I fell asleep some 45 minutes into the onslaught of candy-colored incoherence called Speed Racer. And when, after returning to consciousness a minute or so later, I made it through another couple of scenes before falling asleep again.


Read More About Running On Empty: "Speed Racer," "What Happens In Vegas...", And "Redbelt"...


Human/Nature: "Into the Wild" and "American Gangster"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-11-07 16:17:56

Emile Hirsch in Into the WildINTO THE WILD

As a director, Sean Penn has proven more than proficient, but he hasn't exactly demonstrated a lightness of spirit; within his The Indian Runner, The Crossing Guard, and The Pledge, you can pretty much count the number of smiles generated on one hand. I love the gravity that Penn brings to his directing/writing projects, his readiness to explore anguished and vengeful depths, but his seriousness as a filmmaker has its downside, too. Penn's works have been so dour and laden with portent that, as their narratives progress, they begin to feel oppressive and one-dimensional. Like a joke now and again would kill him?


Read More About Human/Nature: "Into The Wild" And "American Gangster"...





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