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items tagged with Emma Stone

Hawaiian Punch: "Aloha," "San Andreas," and "Far from the Madding Crowd"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-05-31 20:59:32

Bradley Cooper and Emma Stone in AlohaALOHA

On three separate occasions this past weekend, after mentioning that I’d seen Cameron Crowe’s Aloha, I had friends or family members reply with some variant on “Ugh, how bad was it?” That’s usually the response I get after telling people I just came back from the latest Happy Madison flick or Paranormal Activity: Yup, We’re Still Churning These Out. But to hear that kind of pitying condolence regarding a new Crowe endeavor was troubling. Sure, the reviews were largely dreadful, and the previews leaned toward the achingly twee, and the movie’s reputation in the hacked Sony e-mails (“the script is ridiculous”) didn’t help matters. Beyond all that, though, is the collective disappointment of Vanilla Sky, Elizabethtown, and We Bought a Zoo so pervasive and infuriating that it overwhelms the memory of Say Anything ... , Jerry Maguire, and Almost Famous?


Read More About Hawaiian Punch: "Aloha," "San Andreas," And "Far From The Madding Crowd"...


Running, DUFFing, Tubbing: "McFarland USA," "The DUFF," and "Hot Tub Time Machine 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-02-23 15:29:26

Kevin Coster and Ramiro Rodriguez in McFarland USAMCFARLAND USA

God, I hate Disney. Not all the time, of course, and in any case, “hate” is probably a strong word. But why does the studio have to keep releasing live-action movies that are inseparable from cartoons, with all of the potentially legitimate conflict inevitably dulled down and scrubbed squeaky-clean? And why does its succession of inspirational sports dramas never feature any actual coaching beyond bland and clichéd motivational speeches? And why do these damned things keep making me weep like a baby?


Read More About Running, DUFFing, Tubbing: "McFarland USA," "The DUFF," And "Hot Tub Time Machine 2"...


Where There’s a Will, There’s a Way: "Annie" and "The Hobbit: The Battle of the Five Armies"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-12-20 00:50:41

Cameron Diaz, Jamie Foxx, Quvenzhane Wallis, and Rose Byrne in AnnieANNIE

Sony’s last-remaining grab for the holiday box office, the much-downloaded reboot of Annie, opened this weekend, and it must be said that as a musical – especially as a musically faithful interpretation of the stage show – it kind of sucks. The choreography’s a shambles and the mixing is poor and the original numbers are terrible, while familiar, enjoyable Annie tunes such as “Little Girls” and “Easy Street” are merely sampled, their melodies and lyrics awkwardly woven into new pop and hip-hop arrangements. (Three of the film’s myriad producers are Jay-Z and Will and Jada Pinkett Smith, so I guess we should just be grateful that the titular orphan is played by Quvenzhané Wallis and not Willow. Or Jaden.)


Read More About Where There’S A Will, There’S A Way: "Annie" And "The Hobbit: The Battle Of The Five Armies"...


Winged Crusader: "Birdman"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-11-16 21:51:00

Michael Keaton and Edward Norton in BirdmanBIRDMAN

Hands-down the most technically audacious backstage farce ever attempted, Alejandro González Iñárritu’s Birdman finds its director in a cheeky, playful frame of mind. The movie’s many miracles pretty much start right there, because who knew that Iñárritu was even capable of a cheeky, playful frame of mind?


Read More About Winged Crusader: "Birdman"...


Limp Woody: "Magic in the Moonlight," "The Giver," and "Let’s Be Cops"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-08-17 17:16:13

Emma Stone and Colin Firth in Magic in the MoonlightMAGIC IN THE MOONLIGHT

It would be wonderful to say that Woody Allen’s Magic in the Moonlight, the lighthearted tale of a stuffy British magician (Colin Firth) who attempts to disprove the gifts of a convincing psychic (Emma Stone) in 1928 Paris, was a throwback to the auteur’s oft-referenced early, funny movies – the ones, such as Sleeper and Love & Death, that we fans enjoy returning to again and again. (In the case of Love & Death, for me, “again and again” multiplied by about 20.) Unfortunately, it’s more of a throwback to the writer/director’s less-referenced early-autumnal period, and its not-so-funny movies – the ones, such as The Curse of the Jade Scorpion and Hollywood Ending, that even we die-hards didn’t really care about the first time around.


Read More About Limp Woody: "Magic In The Moonlight," "The Giver," And "Let’S Be Cops"...





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