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items tagged with Eric Bana

Keep On Trekkin': "Star Trek," "Next Day Air," and "Kilimanjaro: To the Roof of Africa"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-05-10 20:30:29

Zachary Quinto and Chris Pine in Star TrekSTAR TREK

J.J. Abrams' Star Trek revamp is the second pop-mythology origin tale that Hollywood has delivered this month, and it's a pleasure to report that the film is everything Wolverine isn't: speedy, smart, thrilling, funny, and, in the end, almost criminally enjoyable.


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Jollier Green Giant: "The Incredible Hulk" and "The Happening"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-06-18 08:16:38

The Incredible HulkTHE INCREDIBLE HULK

Up until its final reel, when the movie lapses into a tiresome big-screen adaptation of Rock 'Em Sock 'Em Robots, The Incredible Hulk is a pretty entertaining superhero blockbuster, in large part because it doesn't much feel like a typical superhero blockbuster.


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Jocks Strapped: "Semi-Pro" and "The Other Boleyn Girl"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-03-05 07:56:32

Will Ferrell in Semi-ProSEMI-PRO

In the '70s-era sports comedy Semi-Pro, Will Ferrell plays Jackie Moon, a one-hit-wonder pop star who becomes the owner of the American Basketball Association's Flint Tropics, a struggling Michigan team for which he also serves as coach, promoter, and star player. And forgive me for asking, but shouldn't any one of these five roles have been enough for Will Ferrell?


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Spawn of the Dead: "28 Weeks Later," "The Ex," and "Lucky You"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-05-16 08:21:01

28 Weeks Later28 WEEKS LATER

In any given year, I see a lot of horror movies at the cineplex. But I remember one moment from watching the 2002 zombie flick 28 Days Later like it was yesterday: when that drop of infected blood landed on Brendan Gleeson, and the audience didn't just gasp, we practically moaned. It was the most spontaneously empathetic group response I'd ever heard during a fright film - a hundred people simultaneously reacting with "No, not him" anguish - and it underlined what made Danny Boyle's nerve-racking thriller so strong.


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Spielberg Takes a Riveting Trip to "Munich": Also, "The Family Stone"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-12-28 00:00:00

Eric Bana and Geoffrey Rush in MunichMUNICH

He may be revered – and often reviled – for his sense of childlike wonder, but no Hollywood director shoots scenes of violence with the no-frills grimness of Steven Spielberg. In the helmer’s taut, ambitious Munich – which focuses on Israeli retribution for the murders of nine of their athletes at the 1972 Olympics – Spielberg, as he did in Schindler’s List and Saving Private Ryan, doesn’t distance himself from the carnage on the screen, and doesn’t let us distance ourselves, either. There’s nothing self-consciously “artistic” about the numerous killings we’re shown here; bullets tear through flesh with terrifying force, bombs rip limbs apart, and most of these atrocities are portrayed with an almost shocking matter-of-factness – we recoil from the violence because Spielberg’s presentation of it is so intentionally artless. (The murders in Munich come off as almost painfully realistic.) Yet although Munich is a brutal work, it isn’t brutalizing; Spielberg is too much of a natural showman – and natural entertainer – for that. The film is a riveting and intelligent political thriller, and although the director can’t fully rein in his expectedly sentimental impulses, Munich is probably Spielberg’s strongest directorial accomplishment in more than a decade. It’s a gripping and, for Spielberg especially, refreshingly tough-minded piece of work.


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