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items tagged with Erin Lounsberry

Not Getting Married Today: "Company," at the District Theatre through February 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-02-07 12:00:00

John VanDeWoestyne, Christopher Tracy, Mark Ruebling, Bryan Tank, Brian Nelson, and Paul Workman in CompanyAt the start of the intermission to Friday night’s District Theatre performance of Company, my partner turned to me and said, “I don’t remember this show being that funny.” He was right, because director David Turley accentuates the funny parts in this musical by composer Stephen Sondheim and writer George Furth. He does so, however, with subtle nudges and winks that almost cross over into silliness but don't, and that keep the production from sinking into sappy sentimentality.


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In His Own Little Corner, in His Own Little Chair: “The Drowsy Chaperone,” at the Prospect Park Auditorium through July 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-07-11 12:00:00

(clockwise from left) Mike Millar, Valeree Pieper, Erin Lounsberry, James Turilli, and Mark McGinn in The Drowsy ChaperoneI had an utterly fantastic time at Quad City Music Guild’s preview performance of The Drowsy Chaperone, director Bob Williams’ high-spirited and hysterical presentation of the long-running Broadway hit. Yet I’m embarrassed to say that I may have inadvertently missed 10 of its most entertaining minutes, because I made what was, in retrospect, a terrible mistake: I left the auditorium during intermission.


Read More About In His Own Little Corner, In His Own Little Chair: “The Drowsy Chaperone,” At The Prospect Park Auditorium Through July 17...


Storybook Romance: “Seussical,” at the Prospect Park Auditorium through August 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-08-10 12:00:00

Michael Schmidt, Emily Baker, and Eric Reyes in SeussicalOn Thursday night, I attended Quad City Music Guild's preview performance of Seussical, and if you include St. Ambrose University's 2008 production of the one-act Seussical Jr. - and I most certainly do - it was the third time I'd seen this show in as many years. (Eldridge's Countryside Community Theatre produced its version in the summer of 2007.) If theatres would only oblige, I'm reasonably sure I could see it, and without any complaint, every year for the rest of my life.


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Here's to You, Mrs. Robinson: "The Graduate," at the Harrison Hilltop Theatre through May 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-05-11 12:00:00

James Bleecker and Erin Lounsberry in The GraduateThe Harrison Hilltop Theatre's The Graduate provides a respectable amount of fun, considering that almost nothing in it makes the least bit of sense. Adapted from Charles Webb's 1963 novel and/or Mike Nichols' seminal 1967 comedy, Terry Johnson's script frequently feels like the movie version on fast-forward - the playwright clumsily barrels through both the narrative and its complex emotional transitions - and the show's tone and performance styles are all over the map. Yet considering its frequently awkward and unconvincing elements, director Wayne Hess' comedy does at least offer one truly magical ingredient in Erin Lounsberry, whose performance here is insinuating, disturbing, sexy, and richly, deeply funny.


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Sieg Heilarious!: "The Producers," at the Prospect Park Auditorium through April 5
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-03-30 12:00:00

Erika Thomas, Nathan Bates, and Bruce Carmen in The ProducersI'm sure there are those of you who don't think Mel Brooks' musical comedy The Producers is all that enjoyable, especially if your only acquaintance with the show is 2005's film version. But even if you felt burned by that woebegone adaptation, I urge you to check out Quad City Music Guild's current take on Brooks' modern classic, so you can see just how sublimely hysterical this material can actually be; I'm guessing that the only audiences who could possibly leave director Kevin Pieper's glorious show-biz satire in a bad mood are the easily offended and the abjectly humorless. (And you know who you are, because upon reading that, you instinctively presumed I was referring to you.)


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