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items tagged with Eternal Sunshine of the Spotless Mind

2005's Alternative Oscars: The Shoulda-Been Contenders
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-02-16 00:00:00
After the announcement of last year’s Oscar nominations, in which the Academy made almost shockingly inspired choices across the board, this year’s slate of nominees was bound to be a more predictable lot; barring a few minor surprises – the director and screenplay nods for Mike Leigh’s Vera Drake (still unseen by me) chief among them – voters opted for traditional, safe choices in 2004, especially among the squarer-than-usual Best Picture contenders.
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2004 in Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-01-12 00:00:00
Was I feeling especially sensitive in 2004, or were the year’s most memorable cinematic works, coincidentally, the most unabashedly romantic ones? It could certainly be me – the only (fictional) televised event that moved me to tears was the unlikely but enormously satisfying kiss between Martin Freeman’s Tim and Lucy Davis’ Dawn on The Office Special.
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"The Ladykillers" Just Might Be Another for the Ages by the Coens: Also, "Eternal Sunshine of the Spotless Mind," "Dawn of the Dead," and "Taking Lives"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-03-31 00:00:00

Irma P. Hall and Tom Hanks in The LadykillersTHE LADYKILLERS

Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel’s and Ethan’s Byzantine plotting, affected wordplay, and in-your-face staging – culminating in a style that can make their works seem, initially, show-offy and too quirky by half – the brothers’ filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you’ll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens’ adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I’m guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.


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