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items tagged with Ethan Coen

Two Stupid Movies Don’t Spell "Trouble": "High Crimes" and "Big Trouble"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-04-10 00:00:00

Morgan Freeman and Ashley Judd in High CrimesHIGH CRIMES

If Hollywood studios absolutely insist on feeding us one piece-of-crap potboiler after another, they could certainly do worse than the trashily entertaining military thriller High Crimes.


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Acting Duo Elevates "K-PAX": Also, "13 Ghosts"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-31 00:00:00

Kevin Spacey in K-PAXK-PAX

Kevin Spacey has made a career out of being snidely patronizing, of being the smartest person in the room, and that’s what I adore about him; he patently refuses to be lovable, and his wicked intelligence and dry-as-sandpaper line readings give a snap to just about every role he plays. (That’s why his performance as the physically and emotionally scarred teacher in last year’s imbecilic tearjerker Pay It Forward was so disappointing; he’s not built for sentiment, and his presence in that mopey role merely exposed the film’s schmaltziness.) I guess it was inevitable that Spacey, who always comes off as knowing more than we do, would one day play an alien (or is he?) who arrives on Earth to teach us all lessons about life and love that we can’t figure out for ourselves. And so we have K-PAX, which had the potential to be excruciating but, as directed by Iain Softley and performed by a marvelous cast led by Spacey and Jeff Bridges, turns out to be thoroughly engaging; it’s a case study in how the right director and performers can redeem mostly worthless material.


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Two and a Half Cheers: "Crouching Tiger, Hidden Dragon," "O Brother, Where Art Thou?", and "The Wedding Planner"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-02-07 00:00:00

Michelle Yeoh in Crouching Tiger, Hidden DragonCROUCHING TIGER, HIDDEN DRAGON

You may have heard that Ang Lee’s latest work, the historical-drama/romance/martial-arts/action pic Crouching Tiger, Hidden Dragon, is in Chinese with English subtitles. It's true. Yet no filmgoer with a subtitle phobia should be dissuaded from seeing the movie, because it’s such a thrilling, intoxicating, heady ride that its subtitles are absolutely superfluous. Ang Lee has created something rather amazing – an accessible, American-audience-friendly foreign work – that will leave you gasping at its audacity and superior visuals while finding yourself completely enraptured by its two sets of heartbreaking romances; it’s a Chinese Titanic with a better script.


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Sleepy and Dopey: "The Legend of Bagger Vance" and "Charlie's Angels"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-08 00:00:00

Will Smith and Matt Damon in The Legend of Bagger VanceTHE LEGEND OF BAGGER VANCE

The Legend of Bagger Vance, Robert Redford’s golfing fable, isn’t a work of any depth, and there’s precious little intelligence on display, but it sure looks pretty – so pretty, in fact, that audiences might not realize that the movie itself is a dud. From the golden-hued cinematography of the great Michael Ballhaus to the stunning, Depression-era costuming and production design, it’s clear that the film has been made with the utmost care and a real attention to physical and aural beauty; if you didn’t understand a word of English, you might find it a masterpiece.


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In-Laws, Breaking Laws: "Meet the Parents" and "Get Carter"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-10-11 00:00:00

Robert De Niro and Ben Stiller in Meet the ParentsMEET THE PARENTS

I’m not sure that any movie genre is harder to critique than the Sitcom Disguised as Feature Film. You know the sort: a comedy, usually with faux-dramatic undertones, filled with likable actors playing likable people (even the antagonists are more pesky than dangerous), where the characters’ dilemmas are sorted out neatly in under two hours, and with no serious harm coming to any of them in the end. The dialogue is moderately witty, the physical gags are predictable but amusing, the lighting is overly bright, and the score is bouncy, with moments of sap when the characters show their “souls.” What’s to discuss? You know going in what to expect, and when the film in question is pulled off well, as Jay Roach’s Meet the Parents is, you leave feeling serene and comfortable.


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