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items tagged with Eugene Levy

Be Our Guest: “For Your Consideration,” “The Queen,” “Casino Royale,” and “Happy Feet”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-11-29 09:02:56

Christopher Moynihan, Harry Shearer, Catherine O'Hara, and Parker Posey in For Your ConsiderationFOR YOUR CONSIDERATION

I love Christopher Guest's improvisational comedies with a passion bordering on mania, and he and co-scenarist Eugene Levy have been wonderfully consistent about treating fans to a new one every three years; 1997's Waiting for Guffman led to 2000's Best in Show and 2003's peerless A Mighty Wind. Now we have For Your Consideration, a skewering of the annual Oscar-derby madness, and I couldn't have been more excited about seeing it. So why, despite its many, many great moments, does reflecting on the director's latest leave me feeling disappointed, and a little depressed?


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Murderball: The Best of Eight – and of the Year: Also, "The Exorcism of Emily Rose," "Jane Goodall's Wild Chimpanzees," "Lord of War," "An Unfinished Life," "The Constant Gardener," "Cry Wolf," and "The Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-09-21 00:00:00

MurderballMURDERBALL

I’ve seen a lot of sublimely satisfying documentaries this year, but none with the scope and passion of Murderball. Like last year’s brilliant Metallica: Some Kind of Monster, the film’s title and ostensible subject matter – quadriplegic rugby – are probably enough to frighten off the audiences who would love it the most, which I pray won’t happen; Murderball, currently playing at the Brew & View Rocket, is, thus far, the most invigorating, fascinating, surprising, and deeply human movie of 2005.


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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The 2004 Alternate Oscars
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-02-25 00:00:00
For the past couple of years, as a prelude to the Academy Awards presentation (scheduled to air on ABC at 7 p.m. on Sunday, February 29), I’ve devoted an article to re-constructing the top six Oscar categories, replacing what I felt were unworthy contenders with my own personal preferences; this enabled me to extoll the virtues of the deserving while also allowing me to whine, “Why the hell didn’t Naomi Watts get noticed for Mulholland Dr.?” And before this year’s contenders were announced in late January, I was already writing my annual article in my head: “Where’s Johnny Depp’s nomination? And what about Keisha Castle-Hughes? And how about Marcia Gay Harden and Shohreh Aghdashloo and Fernando Meirelles?” And then what did the Academy go and do? They nominated them all.
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2003 in Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2003-12-24 00:00:00

Among the year’s seemingly endless spate of business-as-usual Hollywood product, with the remakes and sequels and – in the case of Terminator 3: Rise of the Machines – a de facto remake of a sequel, I saw exactly one work in 2003 that, with absolutely no qualms, I would call a masterpiece, and it made its debut on HBO. (It was that kind of year.)
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