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items tagged with Fight Club

Friendship Bytes: "The Social Network" and "Across the Sea of Time 3D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-10-04 15:29:40

Jesse Eisenberg and Justin Timberlake in The Social NetworkTHE SOCIAL NETWORK

You may have heard that a lot of critics, in their reviews of the film, have been comparing the Facebook saga The Social Network to Citizen Kane. So before this turns into one of those inaccurate, Al-Gore-says-he-invented-the-Internet sort of myths, let me clarify: They’re saying that in terms of its storyline, themes, and protagonist, director David Fincher’s and screenwriter Aaron Sorkin’s movie is more than a bit reminiscent of Orson Welles’ 1941 untouchable. No one, to my knowledge, is saying that The Social Network is as good as Citizen Kane.

Having said that, The Social Network is as good as Citizen Kane.


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WOW•E: "WALL•E" and "Wanted"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-07-02 08:34:22

WALL•EWALL•E

Pixar's WALL•E is the best 100 minutes I've spent at the movies this year. It may wind up being the best 100 I'll have spent at the movies all year. (The first half seems perfect, and the second half seems merely to be Pixar working at full inspiration, which is the closest thing to perfect.) Prior to WALL•E, I found it impossible to decide whether Toy Story 2 or Finding Nemo or The Incredibles was my favorite of the studio's features. Now they're all fighting for second.


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Mike’s Online-Only Movie Reviews - 2008
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-01 11:06:16

The AlpsThe Alps (not rated) - The people have chosen, and the people chose good. Last fall's winner of the Putnam Museum's "Everyone's a Critic" series - which follows climber John Harlin's attempts to scale the north face of the Eiger mountain, where his father perished in 1966 - is such a breathtaking spectacle that watching it makes you a little dizzy; not from the Eiger's treacherous inclines and precipitous drops, which are (enjoyably) vertigo-inducing enough, but from the dazzling visual rush provided by director Steve Judson and his remarkable team of camera operators. Judson re-creates Harlin's ascent with jaw-dropping skill - you'll fight the urge to blurt out "How on earth did they film that?!" repeatedly during The Alps' 45-minute running length - and he and his crew photograph the Swiss mountain ranges with crystalline perfection; I'm not sure any movie has ever looked better in IMAX format. When the film turns to matters of geology and the historic make-up of the mountains, things get a little stodgy, but you're quickly returned to the awe-inspiring vistas, an unexpectedly touching human element courtesy of Harlin and his understandably worried wife and daughter, and, believe it or not, a series of marvelously employed Queen tunes that - in this format, at least - suggest what the elevator ride to heaven would sound like.


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Tyler-san: "Never Back Down," "The Bank Job," and "Doomsday"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-03-19 08:40:31

Sean Faris and Djimon Hounsou in Never Back DownNEVER BACK DOWN

Watching the so-silly-it's-almost-fun mixed-martial-arts melodrama Never Back Down, I felt instantly transported to the summer of 1984, when my friends and I saw The Karate Kid the first time around. Fight Club was still 15 years away, so we weren't yet treated to this film's bone-crunchingly "kinetic" violence, nor to the sight of shirtless brawlers pummeling each other with their pants buttoned 12 inches below their navels. (Nor, for that matter, to topless teenage lesbians making out in a jacuzzi.) But Never Back Down is still pretty much Karate Kid redux, and the experience of watching it felt like time-travel for another reason: The movie's high-schooler lead is played by Tom Cruise.

 


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"Be Cool" a Maddening Waste of Time and Talent: Also, "The Jacket" and "Cursed"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-03-08 00:00:00

Uma Thurman and John Travolta in Be CoolBE COOL

Granted, I’ve missed a few of the year’s more high-profile flicks – Are We There Yet?, White Noise, Son of the Mask, that thing with the Heffalumps – but, in general, the releases I have viewed have been so crummy as to be some kind of joke. (The Citizen Kane of the group would actually be the remake of Assault on Precinct 13, which should tell you everything you need to know about Hollywood’s output in early 2005.) But, with the arrival of Be Cool, the joke is no longer funny. Be Cool is worse than Elektra. Hell, it’s worse than Alone in the Dark. I literally can’t remember the last time I left a screening feeling so angered by the waste of time and talent onscreen; it’s the sort of smug, lazy Bad Movie that puts you in a foul mood for the rest of the day.


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