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items tagged with Garry Marshall

Tour of Doody: "The Lucky One," "Think Like a Man," "October Baby," and "Chimpanzee"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-04-22 22:32:34

Taylor Schilling and Zac Efron in The Lucky OneTHE LUCKY ONE

Every time I leave a movie version of some Nicholas Sparks novel, I’m relieved if it’s not, thus far, the worst movie version of some Nicholas Sparks novel. It’s to The Lucky One’s good fortune, then, that 2008’s Nights in Rodanthe still scrapes the bottom of that particular barrel, because otherwise we might’ve had a new champion.


Read More About Tour Of Doody: "The Lucky One," "Think Like A Man," "October Baby," And "Chimpanzee"...


War, Strife, and the House of Payne: "The Sitter," "Like Crazy," "Margin Call," "The Descendants," "New Year's Eve," and "Dog Jack"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-12-11 21:28:51

Landry Bender, Kevin Hernandez, Max Records, and Jonah Hill in The SitterIn a rather perverse bit of scheduling, at least for me, last weekend brought with it the area release of exactly zero debuting films, while this past weekend delivered six ... on the same weekend, I should add, that I had a lengthy road trip out of town and appeared in four performances of a local stage production. But I’m not one to complain. Onward!


Read More About War, Strife, And The House Of Payne: "The Sitter," "Like Crazy," "Margin Call," "The Descendants," "New Year's Eve," And "Dog Jack"...


Jumping the Shark: "Happy Days: A New Musical," at the Circa '21 Dinner Playhouse through June 4
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-03-28 12:00:00

Laura Miller, Courtney Crouse, and Andrea Moore (center), and Laurie Sutton, Liz J. Millea, and Maeve Martin in Happy Days: A New MusicalIf the goal of Happy Days: A New Musical – making its Midwestern debut at the Circa ’21 Dinner Playhouse – is to have the feel of the 1970s TV series, then playwright (and series creator) Garry Marshall and songwriter Paul Williams are working against each other. The book is reminiscent of the sitcom, with similar character dynamics and situations, but it comes across as a caricature of the TV show – purely wholesome, without the slight edge and hints of rebellion present in its televised incarnation. Williams’ songs, meanwhile, don’t suggest the series at all; it’s as if the tunes were taken from some other 1950s-themed musical, and plopped into an episode of Happy Days without consideration for whether they fit the characters.


Read More About Jumping The Shark: "Happy Days: A New Musical," At The Circa '21 Dinner Playhouse Through June 4...


The Loons! The Loons!: “Shutter Island”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-22 14:46:00

Shutter IslandSHUTTER ISLAND

Shutter Island, Martin Scorsese's operatically paranoid adaptation of Dennis Lehane's 2003 suspense thriller, is easily the best movie of 2010 thus far, so it seems a bit churlish to wish that was higher praise. Don't get me wrong: Even running a wildly overlong 138 minutes, the film is mostly terrific, and one of the very rare works of its kind in which your interest actually increases during the final reels. Yet given Scorsese's glorious technical acumen and the efforts of a ridiculously gifted cast, I still left the cineplex feeling that it just missed greatness, and not even greatness along the lines of GoodFellas or The Departed - more like the genre excellence of Scorsese's 1991 remake of Cape Fear. Shutter Island is a strong, worthy offering, yet as far as this year's releases go, it's only a few degrees more satisfying than Youth in Revolt or Daybreakers. But hey, it's early - I'll happily take it.


Read More About The Loons! The Loons!: “Shutter Island”...


Sparks, and No Sparks: "Dear John," "Valentine's Day," and "The Wolfman"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-15 15:32:07

Channing Tatum and Amanda Seyfried in Dear JohnDEAR JOHN

Since no one's been pressing a gun to my head, I haven't read Nicholas Sparks' Dear John, which concerns a pair of star-crossed lovers whose romance is derailed by the young man's Army tenure. I have, however, seen director Lasse Hallström's screen version, which apparently follows the novel's blueprint faithfully (albeit with an altered ending), so permit me a question: Does Sparks have absolutely no shame?


Read More About Sparks, And No Sparks: "Dear John," "Valentine's Day," And "The Wolfman"...





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