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items tagged with Geoffrey Rush

Acting Duo Elevates "K-PAX": Also, "13 Ghosts"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-31 00:00:00

Kevin Spacey in K-PAXK-PAX

Kevin Spacey has made a career out of being snidely patronizing, of being the smartest person in the room, and that’s what I adore about him; he patently refuses to be lovable, and his wicked intelligence and dry-as-sandpaper line readings give a snap to just about every role he plays. (That’s why his performance as the physically and emotionally scarred teacher in last year’s imbecilic tearjerker Pay It Forward was so disappointing; he’s not built for sentiment, and his presence in that mopey role merely exposed the film’s schmaltziness.) I guess it was inevitable that Spacey, who always comes off as knowing more than we do, would one day play an alien (or is he?) who arrives on Earth to teach us all lessons about life and love that we can’t figure out for ourselves. And so we have K-PAX, which had the potential to be excruciating but, as directed by Iain Softley and performed by a marvelous cast led by Spacey and Jeff Bridges, turns out to be thoroughly engaging; it’s a case study in how the right director and performers can redeem mostly worthless material.


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Washington’s "Training Day" Is Mostly Act: Also, "Bandits"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-19 00:00:00

Denzel Washington in Training DayTRAINING DAY

In Training Day, Denzel Washington plays a character so far against type – a ruthless, volatile inner-city detective who just might be a sociopath – that the movie’s opening 30 minutes give you a bit of a charge; you’re willing to give this umpteenth good-cop/bad-cop tale the benefit of the doubt for the chance to see Washington showboat in a larger-than-life villain role.


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"The Tailor of Panama" Shows Its Seams: Also, "Town & Country"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-05-09 00:00:00

Geoffrey Rush and Pierce Brosnan in The Tailor of PanamaTHE TAILOR OF PANAMA

It’s been a very long time since a movie was released in our area that wasn’t abjectly stupid, so it’s easy to get some initial enjoyment from John Boorman’s The Tailor of Panama, an adaptation of John LeCarré’s 1996 bestseller. It’s partially a spy thriller, but unlike the James Bond installments or the recent smash Spy Kids, the goofiness is kept to a minimum. Beyond that, the plot is smartly established, the cast is promising, the locations are exotic, and director Boorman shows from the start that he’s in a frisky, playful mood; this is easily his most lighthearted work since 1987’s Hope & Glory. So with all this going for it, and considering the undisputed wretchedness of the year’s cinematic output, I have to admit that I feel like an ungrateful jerk for finding The Tailor of Panama itself rather disappointing.


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