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items tagged with Glee

Getting High School: "21 Jump Street" and "Casa de Mi Padre"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-03-20 18:14:50

Jonah Hill and Channing Tatum in 21 Jump Street21 JUMP STREET

As an undercover police officer who, in 21 Jump Street, can say to his platonic partner “I cherish you, man” in a way that’s both hysterical and intensely touching, Jonah Hill possesses a rare gift for completely unembarrassed sincerity. By now, it should go without saying that Hill is a sensational verbal comedian and a fearless physical one. But as in his bro-mantic scenes opposite Michael Cera in Superbad, the actor brings to this action comedy something few others would think to: absolute honesty and emotional transparency. Hill is funny as hell here, but his character is never a joke.

Yet the delightful shock of this parody of and homage to the late-’80s TV drama – a series that famously cast Johnny Depp as a pretty-boy cop who infiltrates schools and youth hangouts disguised as a student – is that Hill’s co-star actually matches him in earnestness and hilarity, and his name is Channing Tatum.


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Meryl Marky Mark Melees: "The Iron Lady," "Contraband," "Carnage," and "Joyful Noise"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-15 21:20:23

Jim Broadbent and Meryl Streep in The Iron LadyTHE IRON LADY

It’s hardly a newsflash that over the past several years – well, forever, really – Meryl Streep has treated us to a run of extraordinary performances, and her Margaret Thatcher in the screen biography The Iron Lady is one of the most extraordinary of them all. Yet the vexing question regarding Streep’s indelible work of late isn’t “How does she keep doing it?” It’s “How does she keep doing it with so little help from her directors?”


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Mississippi Yearning: "The Help" and "Glee: The 3D Concert Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-08-14 18:16:01

Emma Stone, Octavia Spencer, and Viola Davis in The HelpTHE HELP

Based on Kathryn Stockett’s much-loved bestseller, The Help concerns the tenuous relationships between black domestic workers and their privileged white employers in early-’60s Mississippi, and it’s a fairly obvious movie, with director Tate Taylor opting for broad brushstrokes over subtlety, and the occasionally wrenching drama sitting, rather uncomfortably, alongside klutzy jokiness. Yet offhand, I can’t think of another popular entertainment whose flaws matter less than this film’s, because everything that’s lacking in the picture is more than made up for in the fearless, emotionally precise, and oftentimes devastating portrayals of Taylor’s cast. The Help is easy to complain about, but all it takes is one of the magnificent Viola Davis’ fierce, tearful stares – or a blast of Octavia Spencer’s anger, or a flash of Emma Stone’s heartbreak, or a burst of Jessica Chastain’s joy – to make your complaints feel positively moot.


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Rebel without a Planet: “I Am Number Four,” “Unknown,” and “Big Mommas: Like Father, Like Son”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-02-20 20:08:57

Dianna Agron and Alex Pettyfer in I Am Number FourI AM NUMBER FOUR

A handsome, troubled, rebellious transfer student dealing with alienation and the wrath of bullies at his new high school. The kid’s ineffectual father, shrugging off his child’s loneliness and conflicts with the authorities. The kid’s one new friend, a withdrawn, frequently picked-on nerd with his own parental hang-ups. The kid’s potential love interest, a pretty, popular girl who feels like an outsider herself, and appears to be the property of the kid’s chief tormentor. If you’ve seen a certain iconic drama starring Natalie Wood, Sal Mineo, and a red-jacket-wearing James Dean, the aforementioned character descriptions might sound a teensy bit familiar.


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The Plague Is the Thing: “Season of the Witch” and “Country Strong”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-01-09 21:49:11

Nicolas Cage in Season of the WitchSEASON OF THE WITCH

For one of my New Year’s resolutions, I thought I’d attempt a pretty tough one: To not accidentally (or intentionally) doze off during any 2011 movies. Mind you, this isn’t something I do at a lot of screenings – a Skyline here, a Speed Racer there. But falling asleep at the cineplex is, for me, rather like snoozing while in your office cubicle; it seems the least I can do during a stretch of daytime work is stay conscious. And as a test for my new resolve, what trickier challenge could I have asked for than the very first 2011 feature out of the gate: Season of the Witch?


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