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items tagged with GoodFellas

Hit the Road, Jack: “The Departed” and “The Texas Chainsaw Massacre: The Beginning”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-10-11 04:38:41

Leonardo DiCaprio and Jack Nicholson in The DepartedTHE DEPARTED

Because Martin Scorsese's internal-affairs thriller The Departed is so colossally entertaining, so brimming with performance and filmmaking craft, I may as well get its major failing out of the way right off the bat: What the hell is Jack Nicholson doing here?


Read More About Hit The Road, Jack: “The Departed” And “The Texas Chainsaw Massacre: The Beginning”...


Scorsese Falters with the Pandering "The Aviator": Also, "The Life Aquatic with Steve Zissou" and "Beyond the Sea"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-01-05 00:00:00

Leonardo DiCaprio in The AviatorTHE AVIATOR

Martin Scorsese’s The Aviator, which covers two decades in the life of entrepreneur Howard Hughes, is a skillful, beautifully designed bio-pic, engaging and occasionally thrilling, and, despite a two-and-three-quarter-hour running time, it’s remarkably easy to sit through.


Read More About Scorsese Falters With The Pandering "The Aviator": Also, "The Life Aquatic With Steve Zissou" And "Beyond The Sea"...


"Identity" and "Confidence" Flawed but Enjoyable: Also, "City of God," "Bulletproof Monk," and "Malibu's Most Wanted"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-04-30 00:00:00

John Hawkes, Ray Liotta, Amanda Peet, and John Cusack in IdentityIDENTITY and CONFIDENCE

By some bizarre coincidence, this past weekend saw the arrival of two new films, Identity and Confidence, that share an almost frightening number of similarities.


Read More About "Identity" And "Confidence" Flawed But Enjoyable: Also, "City Of God," "Bulletproof Monk," And "Malibu's Most Wanted"...


Zellweger Shines (Again) in “Diary”: “Bridget Jones’s Diary,” “Blow,” and “Josie & the Pussycats”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-04-18 12:00:00

Renee Zellweger in Bridges Jones's DiaryBRIDGET JONES'S DIARY

A terrific leading character can atone for a lot of wrongs in a film, and there might be no better proof of that thesis than Bridget Jones's Diary, Sharon Maguire's adaptation of Helen Fielding's incredibly popular novel. Our heroine, a 32-year-old British woman who works a dead-end publishing job, is a completely realistic type we almost never see in movies: a chain-smoking, wine-slurping, slightly overweight, unsatisfied-in-relationships flirt who wants desperately to better herself but doesn't have the motivation or discipline to do so. Flawed as she is, she's intensely endearing, and as perfectly played by Renée Zellweger, she's a magically comic creation, even more wonderful than Zellweger's previous incarnations of Dorothy Boyd and Nurse Betty. That the moviemakers spend the film's running length putting her in one humiliating situation after another, and that she's trapped in a predictable love triangle between a cad and a sweetie, aren't to be held against her; Bridget Jones, and Zellweger herself, triumph over their circumstances, creating a totally enjoyable cinematic work, flaws and all.


Read More About Zellweger Shines (Again) In “Diary”: “Bridget Jones’S Diary,” “Blow,” And “Josie & The Pussycats”...





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