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items tagged with Hilary Swank

War, Strife, and the House of Payne: "The Sitter," "Like Crazy," "Margin Call," "The Descendants," "New Year's Eve," and "Dog Jack"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-12-11 21:28:51

Landry Bender, Kevin Hernandez, Max Records, and Jonah Hill in The SitterIn a rather perverse bit of scheduling, at least for me, last weekend brought with it the area release of exactly zero debuting films, while this past weekend delivered six ... on the same weekend, I should add, that I had a lengthy road trip out of town and appeared in four performances of a local stage production. But I’m not one to complain. Onward!


Read More About War, Strife, And The House Of Payne: "The Sitter," "Like Crazy," "Margin Call," "The Descendants," "New Year's Eve," And "Dog Jack"...


Shut Your Stinkin’ Traps!: “Saw 3D” and “Conviction”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-10-31 18:33:43

Naomi Snieckus in Saw 3DSAW 3D

In the first 10 minutes of Saw 3D, a grim-faced cop enters an interrogation room and addresses his visitor with a curt “Let’s get this over with.” I couldn’t agree more!


Read More About Shut Your Stinkin’ Traps!: “Saw 3D” And “Conviction”...


Pilot Lite: “Amelia,” “Saw VI,” “Law-Abiding Citizen,” and “Good Hair”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-10-25 21:39:21

Hilary Swank and Richard Gere in AmeliaAMELIA

As barrier-breaking aviatrix Amelia Earhart in director Mira Nair's Amelia, Hilary Swank is stylized yet approachable - exactly the kind of down-to-earth, pre-feminist spitfire that a squarely reverential bio-pic calls for. Her Katharine Hepburn cadences take some getting used to, but Swank charges through her scenes with natural authority and winning gumption, and when she smiles, the whole of Earhart's glorious aerial experiences seems to shine through her toothy grin. It's a lovely, sincere Earhart impression, and might've really been something if the actress wasn't being continually undermined by the direction, the script, the score, and most of her co-stars.


Read More About Pilot Lite: “Amelia,” “Saw VI,” “Law-Abiding Citizen,” And “Good Hair”...


Multi(plex)-Tasking: "National Treasure: Book of Secrets," "The Water Horse: Legend of the Deep," "P.S. I Love You," "Walk Hard: The Dewey Cox Story," and "AVPR: Aliens vs. Predator - Requiem"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-01-02 08:22:22

Nicolas Cage and Diane Kruger in National Treasure: Book of SecretsNATIONAL TREASURE: BOOK OF SECRETS

National Treasure: Book of Secrets, the follow-up to 2004's globe-trotting-archaeologist adventure, could generously be termed "perfunctory"; it gives (family) audiences exactly the formulaic, Indiana Jones-lite action, romance, and humor they adored in the original. It could also, less generously, be described as "crummy," as returning director Jon Turteltaub ensures that every remedially staged sequence has the same bland, going-through-the-motions tone as the one that came before. (At least its predecessor provided a few jokes.)


Read More About Multi(Plex)-Tasking: "National Treasure: Book Of Secrets," "The Water Horse: Legend Of The Deep," "P.S. I Love You," "Walk Hard: The Dewey Cox Story," And "AVPR: Aliens Vs. Predator - Requiem"...


Mike's Online-Only Movie Reviews - 2007
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-10-30 00:41:02

Eduardo Verastegui and Tammy Blanchard in BellaBella (PG-13) - Alejandro Monteverde's drama, which concerns the friendship between a chef and a newly pregnant, newly unemployed waitress, received the People's Choice Award at the 2006 Toronto Film Festival. Um... who are these "people," exactly? Space people? Because I can see how Bella might be confused with a great movie if you didn't understand a word of human conversation. Even then, of course, you might still be put off by the film's bizarre editing (with flash-forwards routinely, meaninglessly interrupting scenes-in-progress) and lackluster photography; Montevrede shows more interest in food than in his stars. And then there's that baffling ending, which seems to set the film up for a sequel - one that fills in that massive "Huh?!?" of a climactic plot hole. But it's still the mawkish, maudlin screenplay that does it in; Eduardo Verástegui (looking uncannily like Jim Caviezel as Christ) and Tammy Blanchard (as ever, looking uncannily like Judy Garland) are stuck with unplayable dialogue and baldly written characters, and the movie shamelessly plies on the merely-functional supporting stereotypes. The movie is pro-life and pro-family with a vengeance, which might account for its (limited) popular success. I just wish it were also a little pro-brain, and a lot anti-cliché.


Read More About Mike's Online-Only Movie Reviews - 2007...





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