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items tagged with horror movies

Foreign Affairs: "Force Majeure," "Goodbye to Language 3D," and "The Pyramid"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-12-08 00:37:08

Force MajeureFORCE MAJEURE and GOODBYE TO LANGUAGE 3D

On Friday, I caught a foreign-language double-feature at Iowa City’s FilmScene venue, and was happy to do it. In retrospect, I might’ve been even happier had I only stuck around for half of it.


Read More About Foreign Affairs: "Force Majeure," "Goodbye To Language 3D," And "The Pyramid"...


How the Grinch Stole Brooklyn: "St. Vincent," "John Wick," and "Ouija"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-10-26 23:15:25

Jaeden Lieberher and Bill Murray in St. VincentST. VINCENT

St. Vincent stars Bill Murray as the titular (if decidedly un-saintly) Vincent, a cranky, disheveled grump who may be the meanest man in Brooklyn, if not all of New York. He speaks in a honking regional dialect and guzzles brown liquor by the quart, and his only pals are a pair of fellow barflies and the local hooker-with-a-heart-of-gold. He’s frequently seen chain-smoking in a porkpie hat with oversize sunglasses, and spends his days at the track making losing bets with his bookie. At his ramshackle home, he watches old Abbott & Costello movies on an ancient television and, when drunk, drives straight over his white picket fence. When a neighbor kid needs to use a pay phone, Vincent begrudgingly gives him a dime for the call. Given all this, in what year would you guess St. Vincent takes place? 1957? 1958?


Read More About How The Grinch Stole Brooklyn: "St. Vincent," "John Wick," And "Ouija"...


So Bye Bye, Miss American Pike: "Gone Girl," "Left Behind," and "Annabelle"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-10-06 02:40:28

Ben Affleck and Rosamund Pike in Gone GirlGONE GIRL

David Fincher’s Gone Girl, adapted from screenwriter Gillian Flynn’s 2012 literary phenomenon, opened on Friday. I was tempted to compose this review under the headline “SPOILER ALERT!” just to make it absolutely clear that, to offer a thorough opinion, I’d be revealing elements of this suspense thriller that the uninitiated might not want revealed. But after a couple of days spent sitting on the experience, I’m not certain that going into the movie’s specifics is all that necessary, as long as (MODERATE-SPOILERS ALERT!) I’m allowed to say that (1) the role of Rosamund Pike’s titular Amy Dunne is a co-lead opposite Ben Affleck’s Nick Dunne; (2) almost no scene featuring Amy reads as remotely believable; and (3) in the end, that doesn’t matter all that much.


Read More About So Bye Bye, Miss American Pike: "Gone Girl," "Left Behind," And "Annabelle"...


Walking, Running, Retching, Kvetching: "A Walk Among the Tombstones," "The Maze Runner," "Tusk," and "This Is Where I Leave You"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-09-21 22:19:52

Liam Neeson in A Walk Among the TombstonesFriday, September 19, 10:10 a.m.-ish: It’s been six weeks since my last quadruple feature, and I’m expecting this one to start with supreme novelty, considering that the poster for the day’s first feature, A Walk Among the Tombstones, boasts the image of a brooding Liam Neeson holding a gun. That’s right: Liam Neeson! That guy from Schindler’s List! Brooding and holding a gun! How does Hollywood keep coming up with such fresh ideas?!


Read More About Walking, Running, Retching, Kvetching: "A Walk Among The Tombstones," "The Maze Runner," "Tusk," And "This Is Where I Leave You"...


Midnight Below Paris: "As Above, So Below" and "The November Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-09-01 00:58:15

Marion Lambert and Perdita Weeks in As Above, So BelowAS ABOVE, SO BELOW

Sometimes, because our expectations for it are usually so low, all a horror film needs to get by is a really juicy setting. Of course, it helps if there’s also some talent involved, and I’m pleased to report that John Erick Dowdle’s As Above, So Below actually has both. This claustrophobic creep-out may be frequently silly and too inscrutable for its own good, but it boasts a spectacularly eerie locale in its Parisian catacombs (home to the remains of 6 million deceased), and Quarantine and Devil director Dowdle continues his impressive run of lending superb craftsmanship to routine scare-flick scenarios.


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