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items tagged with Hugh Jackman

Fun in the Oven: "Baby Mama," "The Forbidden Kingdom," and "Deception"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-04-30 08:06:08

Tina Fey and Amy Poehler in Baby MamaBABY MAMA

Despite its sunny, friendly veneer, there's a rather scrappy little war being waged within writer/director Michael McCullers' Baby Mama - one between a lighthearted, pleasant sitcom and a sharper, smarter, more cynical sitcom. (Two and a Half Men versus 30 Rock, as it were.) The former wins, and we could have predicted as much, but the best parts of this engaging buddy flick suggest the truly sparkling comedy it might have been, if only it weren't so eager to be ... well, lighthearted and pleasant.


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In Their Own Words: Area Talents Share Memories of the 2007 Theatre Season
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2007-12-19 08:47:10

King o' the Moon So enough of my opinions already. The following are reflections by Derek Bertelsen, Tyson Danner, Kristofer Eitrheim, Kimberly Furness, Jennifer Kingry, Mandy Landreth, J.C. Luxton, Jackie Madunic, Angela Rathman, Jalayne Reiwerts, Susan Simosky, and Doug Tschopp - local-theatre artisans who enjoyed a memorable 2007.

 


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Mike's Online-Only Movie Reviews - 2006
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-10-30 00:39:47

BarnyardBarnyard (PG) - As it had been at least six or seven hours since I had last seen a computer-animated family movie at the cineplex, I was delighted to catch a screening of Barnyard. Unfortunately, it only took about six or seven hours to all but completely forget the experience; the film is your standard pap about Believing in Yourself and Sticking by Your Friends and such, and it may hopelessly confuse the young kids it's geared towards - I'm sorry, but male cows? With udders? Yet, for what it is, it's agreeable enough and boasts a surprisingly bouncy soundtrack, and the movie displays a welcome nasty streak - when Danny Glover's sage, kindly mule kicked that elderly farmer in the head, knocking him unconscious, I laughed pretty hard. When he did it twice more, I laughed twice as hard.


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Cut from Theatre Cloth: Broadway's Philip William McKinley Directs "Crème de Coco" at St. Ambrose
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2007-04-11 08:17:56

Phil McKinley For St. Ambrose University's forthcoming production of Crème de Coco - being performed at the Galvin Fine Arts Center from April 20 through 22 - the school recruited guest director Philip William McKinley to helm what will be the world premiere of William Luce's one-act play. During his area tenure, McKinley is also teaching an advanced acting course at St. Ambrose, and in a recent interview, the director explained why honesty is essential in eliciting the best work from performers:

"I think a lot of times, people tell them what they think they want to hear, rather than tell them what they really do need to hear. And if they know that you're telling them something to make them better, or for their own good, they're totally receptive to it."

That seems like a perfectly logical method for directing student actors. But, at this point in our conversation, McKinley wasn't referring to student actors. He was referring to Hugh Jackman.


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Cruel Yule: “The Santa Clause 3: The Escape Clause” and “Flushed Away”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-11-08 04:20:49

Tim Allen, Spencer Breslin, and Martin Short in The Santa Clause 3: The Escape ClauseTHE SANTA CLAUSE 3: THE ESCAPE CLAUSE

Unless you have small children there to chaperone you - or are a small child yourself - you probably won't be caught dead at a screening of The Santa Clause 3: The Escape Clause. (Your only other excuses for seeing it, of course, are if you're a movie critic and/or a major Tim Allen fan, and please, God, let the "ands" be in the minority there.) So you certainly don't need me to recommend steering clear of this second sequel to the holiday hit of 1994. The jokes are as lame as could be imagined; the ultra-bright, hyper-chipper presentation - with its candy-colored gaudiness - could easily cause a toothache; and the plotting features less spirit, cleverness, and heart than you'll find in the 56 lines of "'Twas the Night Before Christmas." Can any of this be considered a surprise?


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