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items tagged with J.C. Luxton

Queen B.: "Lear," at the QC Theatre Workshop through April 12
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-04-05 12:00:00

Cait Bodenbender in LearIt doesn’t take long for Cait Bodenbender, in the Prenzie Players' Lear, to prove that director/adapter J.C. Luxton’s idea to reverse his characters' genders was a great one.


Read More About Queen B.: "Lear," At The QC Theatre Workshop Through April 12...


Grin and "Bear" It: "Bear Girl," at the QC Theatre Workshop through June 22
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-06-17 12:00:00

Beth Woolley in Bear GirlPlaywright J.C. Luxton’s writing has a beautiful eloquence about it, with poetic word choices and graceful rhythms in his verse. And while I did not understand all of the finer details in the Prenzie Players' Friday-night production of Luxton’s Bear Girl – due solely to my own shortcomings when it comes to dialogue delivered in verse – the themes and main plot points were clearly told, and also, thanks to director Cait Bodenbender’s treatment of the material, interesting, entertaining, and educational.


Read More About Grin And "Bear" It: "Bear Girl," At The QC Theatre Workshop Through June 22...


Exit, Pursued by a Bear Girl: The Prenzie Players Stage a Debuting Native American Drama, June 14 through 22 at the QC Theatre Workshop
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2013-05-27 12:00:00

Beth Woolley in Bear GirlThe local theatre troupe the Prenzie Players is most commonly known for stylistically bold, occasionally gender-bending takes on classical dramas and comedies, principally the works of William Shakespeare. But the company is about to embark on a particularly challenging experiment with its forthcoming production of the debuting Bear Girl – and the play’s author, Prenzie co-founder J.C. Luxton, could hardly be accused of aiming too low.

“If you think of Shakespeare’s Henriad,” says Luxton, referencing the Bard’s historical trilogy of Richard II, Henry IV, and Henry V, “it’s kind of the epic of England. An epic story of who we are and how we came to be. And I think what I’m trying to do with Bear Girl is the beginnings of something similar for the Quad Cities area.”


Read More About Exit, Pursued By A Bear Girl: The Prenzie Players Stage A Debuting Native American Drama, June 14 Through 22 At The QC Theatre Workshop...


Critical Mass: Mike Schulz and Thom White Discuss Area Theatre in 2012
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2012-12-31 12:00:00

Mitch Donahue, Alexander Robin Kass, Samantha Pauly, Kristin Gilbert, and Tristan Layne Tapscott in the Circa '21 Dinner Playhouse's Legally Blonde: The MusicalFor our third-annual conversation on the Year in Theatre, Thom White – the Reader’s chief theatre reviewer – and I thought we’d shake things up a bit. So instead of meeting for an hours-long breakfast to discuss the area stage scene, we met for an hours-long dinner to discuss the area stage scene.

And while I managed to keep things lively by spilling a completely full glass of water not 10 minutes after sitting down, we also managed to touch on many of the varied experiences that Thom (occasionally accompanied by his partner’s daughter Madison) and/or I had during another eventful year for fans of the theatre. Pack a lunch, sit back, and dive in ... .


Read More About Critical Mass: Mike Schulz And Thom White Discuss Area Theatre In 2012...


Considerably-Better-Than-Fair Verona: "Romeo & Juliet," at the Center for Living Arts through April 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-04-11 12:00:00

Stephanie Moeller in Romeo & JulietThere are moments of magic in the Prenzie Players’ Romeo & Juliet, beginning with the first words heard in the prologue: “Two households, both alike in dignity, in fair Verona, where we lay our scene.” These lines are delivered in the midst of a sword fight that spreads across the acting space – the fighters freeze, ethereal music wafts in from above, and Adam Overberg delivers Shakespeare’s well-known introduction, setting the stage for this tale of ill-fated, star-crossed lovers. The moment is stunningly executed, and sets in motion an excitement for what’s to come.


Read More About Considerably-Better-Than-Fair Verona: "Romeo & Juliet," At The Center For Living Arts Through April 17...





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