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items tagged with Jacob Kendall

Bachelor Party: "The Boys Next Door," at the Village Theatre through July 19
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-07-10 12:00:00

Jason Platt, Jerry Wolking, Eddie Staver III, Matt Mercer, and Jacob Kendall in The Boys Next DoorDirector Lora Adams' Village Theatre production of The Boys Next Door opens and closes on the solitary figure of actor Jason Platt, and his portrayal here begs the question: Is there anything the man can't do?


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A Hit, a Very Palpable Hit: "Fortinbras," at St. Ambrose University
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-02-21 08:24:47

Jessica Stratton and Andrew Harvey in St. Ambrose University's Fortinbras was the most thoroughly entertaining theatrical production I've yet seen in 2007. And while, if you missed the show during its one-weekend, three-performance run, I have no interest in rubbing your noses in that fact, I feel the need to write about the experience because I hope that soon (a) you see Fortinbras and (b) you see this production's actors.


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Bah!: "Jacob Marley’s Christmas Carol," at the Nighswander Theatre through December 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2006-12-13 08:40:06

Jessica Denney & Earl Strupp in "Jacob Marley's Christmas Carol"After attending the New Ground Theatre's production of Jacob Marley's Christmas Carol, I wasn't much surprised to learn that Tom Mula's play has been broadcast on NPR numerous times now; a dramatization of Charles Dickens' Christmas Carol story through Marley's point-of-view, the show, with its blend of performance and frequent narration, seems tailor-made for radio. What I can't understand, though - at least based on New Ground's presentation - is what makes it a good fit for the stage.


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Naughty and Nice: "The Threepenny Opera," at St. Ambrose University
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2006-10-18 04:32:23

Jaci Entwisle & Jack Kloppenborg in "The Threepenny Opera" During Bertolt Brecht's The Threepenny Opera - the German dramatist's revolutionary musical-comedy collaboration with composer Kurt Weill - we're meant to feel uneasy. With its cast of beggars and rogues, obliteration of the fourth wall, and refusal to cater to conventional audience expectation (the songs here, devoid of proper finales, don't so much finish as stop), The Threepenny Opera is a fascinating, deliberately alienating piece. Our enjoyment stems from how unconventional the show is, but in no traditional sense are we meant to simply like it.

So in regard to director Corinne Johnson's Depression-era Threepenny Opera that recently opened St. Ambrose University's 2006-7 theatre season at the Galvin Fine Arts Center (and closed on October 15), was it a failing or a blessing that so many of its performers were so damned likable?


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