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items tagged with James Marsden

Near-Perfect Getaway: “Drive,” “Straw Dogs,” and “I Don’t Know How She Does It”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-09-19 02:29:40

Ryan Gosling in DriveDRIVE

Drive is the first action thriller I’ve seen in ages in which the chases and threats and killings actually matter. Yet it’s also the first movie I’ve seen in ages, in any genre, in which a kiss actually matters, which is a far greater surprise. Directed by Danish helmer Nicolas Winding Refn, whose work here earned him Best Director laurels at this past spring’s Cannes Film Festival, the film is a sleek, exciting, and unexpectedly affecting tour de force of mood, like what you’d get if the Michael Mann of Manhunter and the David Lynch of Blue Velvet collaborated on a scrappy, grubby B-picture for drive-in audiences. I couldn’t possibly mean that as a higher compliment.


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Haunted Man's Son: "Insidious," "Source Code," and "Hop"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-04-03 19:02:56

InsidiousINSIDIOUS

It features every cliché in the haunted-house handbook. It borrows liberally from other, iconic horror movies. It’s by the director of the original Saw and the slightly more bearable killer-mannequin flick Dead Silence. And for all of the momentary jolts provided by the loud bangs and shrieking violins on its soundtrack, the most shocking thing about Insidious is how irrationally good it is.

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Not So Much, No: “Kick-Ass” and “Death at a Funeral”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-04-19 13:48:01

Aaron Johnson in Kick-AssKICK-ASS

Considering that its climax finds 46-year-old actor Mark Strong beating the holy hell out of 13-year-old Chloë Grace Moretz - who was 11 during filming - I didn't hate the comic-book adaptation Kick-Ass the way I thought I would. I actually hated it in a completely different way.
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Marley and Me: "Disney's A Christmas Carol," "The Fourth Kind," "The Men Who Stare at Goats," and "The Box"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-11-08 21:18:25

Disney's A Christmas CarolDISNEY'S A CHRISTMAS CAROL

For the most part, Disney's A Christmas Carol - the third of director Robert Zemeckis' features to employ the process of performance-capture animation - is a strong, serious, stunningly well-designed piece of work, and an unexpectedly resonant take on Charles Dickens' holiday classic. But I do feel compelled to ask Mr. Zemeckis a question: Must everything be transformed into a Hollywood thrill ride?


Read More About Marley And Me: "Disney's A Christmas Carol," "The Fourth Kind," "The Men Who Stare At Goats," And "The Box"...


Leapin’ Lizards!: "Cloverfield," "Mad Money," and "27 Dresses"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-01-23 08:23:38

CloverfieldCLOVERFIELD

If the end of the world - or, at any rate, the end of Manhattan - eventually comes via a pissed-off, skyscraper-sized reptile, and the destruction is captured on video by an empty-headed twentysomething slacker goofus, the results will probably look and sound a lot like Cloverfield.


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