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items tagged with Jane Lynch

Cars, Cops, Callers, and Caves: “Talladega Nights: The Ballad of Ricky Bobby,” “Miami Vice,” “The Night Listener,” and “The Descent"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-08-09 04:28:02

Will Ferrell and John C. Reilly in Talladega Nights: The Ballad of Ricky BobbyTALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY

The Will Ferrell spoof Talladega Nights: The Ballad of Ricky Bobby, like the actor's Anchorman: The Legend of Ron Burgundy, is less a movie than a sketch-comedy figure with a little bit of movie draped around him. And despite its narrow conceit - again, just like Anchorman - it isn't bad at all.


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Mike Schulz Toasts 2005's Great Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-12-28 00:00:00
My annual challenge in composing a list of the year’s best movies almost never lies in deciding what to list. It lies in deciding when to list. As every movie fan knows, film studios – both majors and independents – generally unleash their most prominent Academy Award hopefuls (and, oftentimes, most interesting works) at the end of December, giving these films their best chance at being remembered, and potentially embraced, by the notoriously forgetful Academy.
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The Summer’s Best Surprise Is a "40-Year-Old Virgin": Also, "A League of Ordinary Gentlemen"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-08-24 00:00:00

Steve Carell, Paul Rudd, Romany Malco, and Seth Rogen in The 40-Year-Old VirginTHE 40-YEAR-OLD VIRGIN

Considering the film’s title, this might sound ludicrous. But in The 40-Year-Old Virgin, Steve Carell, playing our hapless hero Andrew, gives what might become a legendary comedic screen performance.


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"Wind" a Mighty Achievement Indeed: "A Mighty Wind" and "Daddy Day Care"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-05-14 00:00:00

Harry Shearer, Michael McKean, and Christopher Guest in A Mighty WindA MIGHTY WIND

This might sound like an overstatement, but with A Mighty Wind, writer-director Christopher Guest, aided immeasurably by regular co-scenarist Eugene Levy and his cast of brilliant improv artists, has secured his place as the most distinctive voice in American film comedy since the ’70s heyday of Mel Brooks and Woody Allen. (And judging by the applause that greeted the film’s finale at the screening I attended, I’m not alone in thinking this.)


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“Best” and Worst: “Best in Show” and “Pay It Forward”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-01 12:00:00

Eugene Levy and Catherine O'Hara in Best in ShowBEST IN SHOW

The genius of Christopher Guest lies in his belief that nothing is funnier than mediocrity. (He's the antithesis of Peter Shaffer's Salieri in Amadeus, who saw it as a tragic failure.) In his two finest cinematic efforts, This Is Spinal Tap and Waiting for Guffman, the performers examined in the "mockumentary" format - Tap's hard rockers and Guffman's thespians - were delightful because of their clueless self-satisfaction; they truly thought they were creating Art, or at least really kick-ass entertainment. And the joke blossomed every time we watched them perform their shows before audiences, because it turned out that these well-meaning hacks, while by no means terrific, weren't all that bad. They might have been lacking in talent, but their enthusiasm was infectious, and it made sense that their shows were hits. (God knows I've seen worse community-theatre productions than Guffman's Red, White, & Blaine.) Guest, who co-wrote both films and served as director for Guffman, was thereby able to poke fun at his characters and have you genuinely rooting for them at the same time.


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