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items tagged with Jane Lynch

Continental Divide: "Madagascar: Escape 2 Africa," "Soul Men," and "Role Models"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-11-12 08:05:32

Madagascar: Escape 2 AfricaMADAGASCAR: ESCAPE 2 AFRICA

Dreamworks' animated hit Madagascar concerned a group of Central Park Zoo denizens who, en route to Africa, find themselves stranded on the island of the film's title, and ended with the citified animals forcibly, though not unhappily, taking residence in their newfound environs. Not having seen Madagascar since its 2005 release, I'll admit that I had to look up this last bit of information before catching Madagascar: Escape 2 Africa. And if and when there's a Madagascar 3, I'll no doubt have to look up the details on its predecessor, because a mere two days after attending this sequel, I've already forgotten nearly everything about it.


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Wii!!!: "Death Race," "The House Bunny," "The Rocker," and "Fly Me to the Moon"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-08-27 08:16:59

Jason Statham in Death RaceDEATH RACE

Inspired by the 1975 thriller Death Race 2000, writer/director Paul W.S. Anderson's Death Race isn't much of a movie. But you don't go to it expecting a movie; you go expecting a bone-crunching, brain-splattering, ass-kicking cinematic video game, and that's exactly what you get.


Read More About Wii!!!: "Death Race," "The House Bunny," "The Rocker," And "Fly Me To The Moon"...


Mike’s Online-Only Movie Reviews - 2008
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-01 11:06:16

The AlpsThe Alps (not rated) - The people have chosen, and the people chose good. Last fall's winner of the Putnam Museum's "Everyone's a Critic" series - which follows climber John Harlin's attempts to scale the north face of the Eiger mountain, where his father perished in 1966 - is such a breathtaking spectacle that watching it makes you a little dizzy; not from the Eiger's treacherous inclines and precipitous drops, which are (enjoyably) vertigo-inducing enough, but from the dazzling visual rush provided by director Steve Judson and his remarkable team of camera operators. Judson re-creates Harlin's ascent with jaw-dropping skill - you'll fight the urge to blurt out "How on earth did they film that?!" repeatedly during The Alps' 45-minute running length - and he and his crew photograph the Swiss mountain ranges with crystalline perfection; I'm not sure any movie has ever looked better in IMAX format. When the film turns to matters of geology and the historic make-up of the mountains, things get a little stodgy, but you're quickly returned to the awe-inspiring vistas, an unexpectedly touching human element courtesy of Harlin and his understandably worried wife and daughter, and, believe it or not, a series of marvelously employed Queen tunes that - in this format, at least - suggest what the elevator ride to heaven would sound like.


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Survivor: Manhattan - "I Am Legend" and "Alvin & the Chipmunks"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-12-19 08:22:07

Will Smith in I Am LegendI AM LEGEND

In Francis Lawrence's sci-fi/thriller I Am Legend, the images of a desolated Manhattan island are so extraordinarily rendered, and Will Smith is such an appealing one-man-show, that it's heartbreaking - and more than a little annoying - that the movie itself isn't better than it is. Based on Richard Matheson's novel, the film concerns a virus that has (seemingly) annihilated the entire human race save for Smith and a pack of predatory, zombie-like humanoids, and it presents a weird dichotomy; everything about the digitally-enhanced locale, and much of Smith's performance, feels absolutely real, and nothing else feels nearly real enough. It's B-grade comic-book material severely outclassed by its visuals and leading man.


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Be Our Guest: “For Your Consideration,” “The Queen,” “Casino Royale,” and “Happy Feet”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-11-29 09:02:56

Christopher Moynihan, Harry Shearer, Catherine O'Hara, and Parker Posey in For Your ConsiderationFOR YOUR CONSIDERATION

I love Christopher Guest's improvisational comedies with a passion bordering on mania, and he and co-scenarist Eugene Levy have been wonderfully consistent about treating fans to a new one every three years; 1997's Waiting for Guffman led to 2000's Best in Show and 2003's peerless A Mighty Wind. Now we have For Your Consideration, a skewering of the annual Oscar-derby madness, and I couldn't have been more excited about seeing it. So why, despite its many, many great moments, does reflecting on the director's latest leave me feeling disappointed, and a little depressed?


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