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items tagged with Jason Lee

Crowe and Cruise Re-Team for Ridiculous "Vanilla Sky": Also, "Not Another Teen Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-12-19 00:00:00

Penelope Cruz and Tom Cruise in Vanilla SkyVANILLA SKY

Vanilla Sky could be subtitled Jerry Maguire Climbs Jacob’s Ladder to Reveal What Dreams May Come, and if that’s not enough reason to run for the theatre’s exits, the movie’s actual presentation should be.


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Smith Strikes it Rich with "Jay & Silent Bob Strike Back": Also, "The Curse of the Jade Scorpion" and "Captain Corelli's Mandolin"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-08-29 00:00:00

Jason Mewes and Kevin Smith in Jay & Silent Bob Strike BackJAY & SILENT BOB STRIKE BACK

Kevin Smith’s Jay & Silent Bob Strike Back, the fifth and reportedly final installment in his View Askewniverse series, is less a movie than a live-action thank-you note to his fans.


Read More About Smith Strikes It Rich With "Jay & Silent Bob Strike Back": Also, "The Curse Of The Jade Scorpion" And "Captain Corelli's Mandolin"...


"Heartbreakers" Coughs Up a Soggy Center: Also, "Enemy at the Gates" and 2000 Oscars Postmortem
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-03-28 00:00:00

Anne Bancroft and Sigourney Weaver in HeartbreakersHEARTBREAKERS

Though the competition is fierce – The Insider, All That Jazz, maybe even Beetlejuice – I’m not sure I’ve ever seen a movie that made smoking look more repellant than David Mirkin’s comedy Heartbreakers.


Read More About "Heartbreakers" Coughs Up A Soggy Center: Also, "Enemy At The Gates" And 2000 Oscars Postmortem...


An Empty Sleeve: "Almost Famous"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-09-29 00:00:00

Almost FamousALMOST FAMOUS

Almost Famous, writer-director Cameron Crowe’s semi-autobiographical hymn to the joys and heartbreaks of rock ’n’ roll, is filled with extraordinarily lovely details and an uncanny fondness for the film’s 1970s setting. It’s engaging, gorgeously lit, and filled with goodwill. The things it’s not are believable, challenging, or memorable. It has obviously been made with great love – Crowe spent years trying to turn his youthful experiences into a movie – and Crowe’s attention to the minutiae of the rock scene is heady and alluring. But Almost Famous ends up as far less than the sum of its parts, a movie so intoxicated by its period that elements like character and conflict barely exist; despite its look and the rave reviews being showered on it, the film itself feels empty.


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